zine, [zeen] noun. 1. abbr. of fanzine; 2. any amateurly-published periodical. Oxford Reference

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Saturday, May 23, 2009

Havasy, Joe

 
 

via Optical Sloth by admin on 4/25/09

Website

Misanthropic Cavalcade #1

What a great title for a collection of mostly one page strips. These were all apparently in a local (to Athen GA, that is) paper called Flagpole, but I don't live in Athens, so they're mostly new to me. In here you have the dangers of leaving a baby unattended outdoors, starving, paleo-boxing, Santa vs. an airplane, rabbit hunting, a bad break-up, fascinating facts about Joe, and a discussion about thresher sharks. Good stuff all around, as "good stuff" for page long strips mostly means to me that I laughed out loud a few times during the reading of the comic, so this definitely passes that test. Also it was tough to pick just one sample, which is another good sign. Its' $2, here's his website, which has more comics of his for you to read, if you need more convincing, or maybe just want to spend some time at work laughing.

misanthropic31

Misanthropic Cavalcade #3

There must be something in the water down there in Athens, Georgia.  Way too many of those people are way too good at this comics business.  This is another collection of weekly strips from a local paper, and if these are the greatest hits it makes me wonder about the "crappy" ones, as these are 100% pure awesome.  In here we get stories about closure after the end of a relationship, snail murder (probably not the way you think), a walk in the park, how girls are dumb, a conversation between ducks and a platypus, a young boy trying to train birds to clean his teeth, a cautionary tale of the sea, putting on the moves, insomnia, freezing up in front of the women folk, a new hat for a little girl, a romantic practical joke, and aliens.  I could go on and on about how many times I laughed while reading this, but why bother when you could figure all this out for yourself?  I went over to Joe's website and he has (I counted) 161 strips up there for free, mostly in color, and mostly not the ones included in this collection.  People who come to this site to find good places to kill time at work, take note.  Also, I couldn't decide on just one sample strip this time around, so I'm using two.  Joe, if you would like to sue me, please note that I have no money to speak of.  I'm offering as a settlement every comic I have with either Quasar or Namor in it.  $3

misanthropic32

misanthropic33


 
 
 
 

Zeen Review: TMGC + WHERE DO PANDAS COME FROM

 
 



TMGC + WHERE DO PANDAS COME FROM by Licky the Cream (Natalie Aylward)

Some clever-clogs has figured out how to make a simple zeen w/ just an A4 piece of paper & a pen. If you make a cut through through the middle in the right spot, you can fold into a 6-page (+ cover) A7 mini-zeen. You could even flip it over & make another zeen on the other side of the paper. I've seen 1 or 2 by Tom Roberts @ an Ex-A-Sketch meeting I wandered into & got sent a couple by Natalie Aylward AKA Licky the Cream. Being such small zeens they are kind of cute & pocketable. Which is why the 2 zeens are so appropriately themed around tamagotchis. I used to like tamagotchis but I became suspicious they were a yuppie conspiracy to pre-condition us for the use of the now ubiquitous mobile phone. (My, a digital gizmo I keep in  my pocket & fiddle w/ every 5 minutes in a vain attempt to seem less lonely, where have I seen this before?) I've yet to see a tamagotchi game or app on a mobile phone probably because this would make the comparison all too clear. But that's my own thoughts on 'tamas', Natalie regales us w/ her own stories of tamagotchi play in 'TMGC', the critters she's raised, what their names were etc. & On the other side of the paper is secret tama gossip, not unlike the pony gossip in Chris Tamm's 'Spicy Pony Secret Fantasy'. 'Where Do Pandas Come From' is a little less anecdotal, it's a wordless picture book of comic that shows the evolution of a panda tamagotchi. From hatching from an egg & watering to make it grow, all the scientifically accurate methods of rearing pandas are covered. All in B&W, portrait format, myspace.com/zombetty

 
 

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Guest Strip: Nathan Gelgud

 

via The Daily Cross Hatch by smorean on 4/24/09

nathangeglundtzIf you ask Nathan Gelgud to draw something, he probably will.  Recently, he drew a page of famous dogs for a guy to give to his wife.  No joke.  Proof positive that dirt-cheap dudes and low-brow ladies are a match made in heaven.

For a sample of his diary strips and baseball portraits, check out his art blog called Take the Soda Free and Jet. You can also find issues 1-2 of his series Simon's Soup at Desert Island in Brooklyn, NY, or buy them online through his etsy shop.

nathangeglund

- Sarah Morean


 

ZINECORE # 9: The Business of Zines! LISTEN NOW!!!!

 
 

via Zine Writers Guild by hannah neurotica on 4/23/09
behind the cut is the player so you can listen to the show right on here! i apologize for not putting it behind a cut last time, i didn;'t realize i was autoplaying!!

this was a GREAT episode ! thank you to ALLLLLLLL the zinesters who called in!!!!!!





www.blogtalkradio.com/thezineshow

 
 

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Underworld Crawl #6

Underworld Crawl #6

$2 or trade, 5 ½“ x 8 ½“, copied, 28 pgs.

I liked this issue even better than the last. This is one of the things that got lost in the move (TX to OH). Below are links to two good reviews. The only thing I would add is more emphasis on the quality of the writing, which is about as good as it gets: crisp, clean, precise, and dead on.

 R. Lee, PO Box 1421, Oshkosh WI 54903.

http://syndicateconsumption.tumblr.com/post/88249456/zine-underworld-crawl-6

http://www.razorcake.org/site/modules.php?name=News&file=article&sid=17368

Thursday, May 21, 2009

Zine World #27

 

Zine World #27 now available!

The new issue of Zine World is now available! Zine World #27 includes:
200+ reviews of zines, comics, books, DVDs, and other self-published materials
articles on Bound Printed Matter, the importance of small press & self-publishing (by e), We Make Zines (by Chantel) and selling zines on Etsy (by Alex Wrekk)
a discussion of review zines vs. the internet
a column about the film I’m Not There (by Evan Fleischer)
word of mouth and tips on distros, zine libraries, postage & mailing, and upcoming events
dozens of classified listings
cool cover by Erica Brodie and art by Jim Sumii and Pat M.

All this can be yours for just 4 bucks (or $5 Canada/$7 overseas).
Send cash, stamps, or money order payable to Jerianne to:
Zine World
PO Box 330156
Murfreesboro TN 37133-0156

Or subscribe: $10 for 3 issues (or $13 Canada/$20 overseas).

Show your love of Zine World by sporting a 1″ ZW button. Yours free with a new subscription or with any donation of $1 or more. Your donations help to pay for extra expenses, like hosting the website, mailing zines to reviewers, etc. If you support what we’re doing here at Zine World, please consider sending a few extra bucks our way to help the cause.

Want to pay (or donate) via PayPal?

Pre-orders and subscriber copies will go in the mail starting tomorrow!

Wednesday, May 20, 2009

soulcraft

Zine Watch: soulcraft by Alma Stoller

Posted on December 31st, 2008CroqReviews

Alma Stoller just announced her newest zine project, soulcraft. Alma is an artist who makes beautiful zines full of handmade details. You can just tell from this cover how much time, care, and soul went into the creation of this zine!

Alma describes the zine this way: soulcraft is a mixture of zine, journal and workbook made of recycled and original materials. Take in all the little bits and pieces included in this zine and see the hidden potential. Inside you will find collage items, images, original rubber stamp designs, fabrics and inspiration.

Check her blog entry to see more photos and read more description of this zine. She’s going to list 20 for pre-order on her etsy shop.

I have been the lucky recipient of one of Alma’s zines and I can’t tell you how amazing they are!

The Barnard Zine Library

via Aid & Abet by Jen Angel on 5/17/09
Here's Jenna with some other Radical Reference librarians in 2005 at the Allied Media Conference in Bowling Green

Here's Jenna (on the left) with some other Radical Reference librarians in 2005 at the Allied Media Conference in Bowling Green

While I was in New York in April, I had the distinct pleasure of visiting Jenna Freedman at the Barnard Zine Library. The library, which Jenna started in 2003, holds over 2000 zines. Many of them are available in the library and you can just pick one off the shelf and read it. Students of Barnard and Columbia can just walk in to the library – and the collection is open to the public if you call ahead and tell them to expect you (so they will let you in without an ID). You can get all the info on their web page.

I have known Jenna for quite some time but had never visited the library. While the last few months have seemed to kick off a year of meeting and interacting with people and things from my past (like meeting lots of old punks while living in Portland for 3 months, or doing an interview for Mike McKee’s book all about ’90s hardcore, or looking through all my old copies of Fucktooth), visiting this library was particularly nostalgic for me. The collection has quite a few zines by women, and as I flipped through old copies of Emergency, for example, I couldn’t help but remember reading those issues for the first time, and how important they were for me. There were so many zines that were so intimate and personal and important, they really had an impact on me and how I think about myself and interact with people. Of course I haven’t talked to many of those people in eons, and I wonder where Ammi is these days, or Travis Fristoe from America? or Theo Witsell from Spectacle or Mike from In Abandon. Maybe I just need to search Facebook until I find them.

There were tons of old zines that I hadn’t seen in forever, but there were also tons more zines I had never seen – maybe that is the best part of libraries and bookstores, that they give you access to things you would never find otherwise. I loved browsing the zines, old and new, touching and holding them in a way that satisfies like the Internet never will.

emergencyWhen Jason (from Clamor) and I moved we gave thousands of zines to the Pop Culture Library at Bowling Green State University. I love that zine libraries exist, and I have my own box of favorites stashed under my bed. But when I get out old copies of Fucktooth – and even when I talk about doing another issue (which will be happening this summer), I want it to be in a way that is looking forward, and not dwelling too much on the past. I don’t want to be one of those people that always talks about the way things used to be, I want to know how I can help recreate those same feelings moving forward in a way that doesn’t leave us mired in the past. Just like I don’t always want to be the person who “used to publish Clamor.”


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Monday, May 18, 2009

Science Fiction Classics: Graphic Classics Volume Seventeen

Science Fiction Classics:
Graphic Classics Volume Seventeen

Visions of the Future!
Science Fiction Classics presents comics adaptations of stories from the original creators of science fiction including “The War of the Worlds” by H.G. Wells and “A Martian Odyssey” by Stanley G. Weinbaum. Also featured are “In the Year 2889” a rare short story by Jules Verne, and “The Disintegration Machine”, starring Arthur Conan Doyle’s Professor Challenger. Plus E.M. Forster’s only SF tale “The Machine Stops”, and shorts by Lord Dunsany and Hans Christian Anderson.

FULL COLOR — only $15!

Order On Line:

http://www.graphicclassics.com/pgs/gc17.htm

Friday, April 3, 2009

Saturday, March 28, 2009

Phlegm

 

via SIZE MATTERS: The Mini-Comics Blog by Shawn Hoke on 2/26/09
Phlegm by Dan Issue eight of Phlegm by Phlegm, or aka Dan no last name, is a dark, densely shaded attack on modern advertising similar to, but much more disturbing than, the subversive and colorful Wacky Packages. To begin with, Dan's subject matter is more grown up and his characters more purely disquieting.

As I'm flipping through this issue, I stop on the last page featuring "Unicorn Porn." Apparently, but I haven't actually checked, at http://www.uniporn.com you can find unicorn porn and other specialist pornography. In the fake advert, a unicornish creature cries, "Hold on to my pink sequin fur and ride my horn to magic land." Yeah, you never found stuff like that in a package of Wacky Packages. The faces of Dan's characters are simplistic and eerie. The rounded heads, slitted and tilted eyes, missing nose, and often-misplaced mouth make the characters seem barely human. He strips the ads and the scenes down to the bare, disgusting untruths of advertising. If at times the slogans seem hackish or trite, they reflect the obviousness of the adverts he lampoons.

Dan's art is very well suited for this messy and dismal subject. He uses heavy swaths of ink and shifting fonts to frame his humanoid characters. The fonts swell, loop, and stretch in each panel as they slink towards the bad pun or hateful finish.
Dan sums up this issue of Phlegm on his website:

"The comic contains my pen and ink illustrations, cartoons, and street art. The work is intense, often surreal and thought provoking, but most of the time it looks like a mad person has been locked in a room for years with no company but a bottle of Indian ink and a scratchy nib….because that's precisely what it is."

Issue eight of Phlegm is 36 pages with a handsome screen printed (on both sides) cover. You can grab a copy at Dan's online shop. For more information on his work and some damn nice artwork, check out the Phlegm Blog.

 

Dennis Bagwell – A Random Litter of Thought (CD)



 
 

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via (title unknown) by anfnewsacct on 2/26/09

I thought this album had an introduction that was spoken word, but then would go into something that was perhaps a little musical. That is not the case with "A Random Litter of Thought". What Dennis Bagwell does on this album is essentially what all perzine creators do with their zines. The minor amount of [...]

 
 

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Wednesday, March 25, 2009

Little Nothings: The Prisoner Syndrome by Lewis Trondheim



 
 

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via The Daily Cross Hatch by bheater on 2/25/09


Little Nothings: The Prisoner Syndrome
By Lewis Trondheim
NBM

lewistrondheimlittlenothingsprisonercoverHe's taken on a lot over the past decade and a half. There have been aliens and vampires and dungeons and dragons. In 2000 he wrote about the adventures of Santa Claus, and in 2001 it was the story of pint-sized king. It was the following year, however, that Lewis Trondheim took on what was, perhaps, the most difficult subject matter of his storied career—his own life. That year's four volume Travel Notebooks marked a return to autobiography, after years spent tackling nearly every other subject in the known universe. The trend continued with the sublimely titled Nothing Diaries, which have subsequently been collected in the States as the volumes, Little Nothings.

The title, of course, is a happy little piece of self-deprecation, Trondheim's not-so-subtle declaration of the banality of his day-to-day existence—and perhaps, by proximity, a swipe at the inevitable self-indulgence of such a project. The artist largely lives up to his title, writing about printer cartridges and saliva production and a weird spherical object ejected from his nasal cavity while blowing his nose. In that sense, the artist has captured the zen-like mundanity of the genre.

But Trondheim's position as one of the continent's most celebrated cartoonists affords him a certainly level of geographical freedom not often offered to other diary strip cartoonist—it's an opportunity that that artist takes advantage of fairly often over the course of the book, traveling to festivals, ceremonies, and conferences. Early on in the proceedings, on a trip to Nantes, in his native France, Trondheim discovers the term that gives this volume its subtitle: 'the prisoner syndrome.'

"It's when someone's locked up and isn't doing anything," he explains. "By not doing anything, he gets more and more tired and has less and less desire to do anything. It also happens in ordinary life. To ordinary folk…to artists…" To Trondheim, the solution is simple: more travel—taking advantage of all of those free plane tickets.

But while the changes in scenery afford him the opportunity to lend his stunning watercolors to new and beautiful scenery, a peculiar thing happens. Life's banality simply adapts to these new surrounding. Trondheim gets mosquito bites on the white sand beaches of Guadeloupe. Two pages later, he is seated on the hotel bed, counting the itchy red dots for his wife. The surroundings and the customs change, but the internalizing and the neuroses of the traveler stay the same, and ultimately it is those aspects that most affect his abilities as a narrator.

As confining as the structure of the diary strip may be, however, the boundaries are ultimately trumped by Trondheim's skills as a natural born storyteller. He makes games of life, awarding plus or minus "brownie points" for his ability to save energy by taking the stairs or leaving the lights on and the shades drawn. He closes his eyes and allows himself to take flight. It's ultimately his own flights of fancy, rather than physical methods of travel, which save him from succumbing to the prison syndrome.

Trondheim's pacing, meanwhile, provides a sense of instant engagement often lacking in diary strips. Where the most obvious American counterpart in the genre, James Kochalka, creates strips that, famously, must be consumed over long stretches of time to be suitably enjoyed, Trondheim's rhythms are instantly recognizable—a good thing, seeing as how the duration of Little Nothings has, well, nothing on Kochalka's long running daily strip. There are, certainly, overarching themes and plot points which can only be properly understood when the book is consumed as a whole (such is the nature of autobio), but so too can Trondheim's strips be enjoyed one at a time, in a manner that many diary strips are unable to replicate.

The relatively long length of each and the lack of daily deadline let Trondheim be more choosey with the material he pulls from, and as such, nearly every page offers a laugh or a friendly piece of insight into the human condition. The frequency also appears to have given Trondheim more time to labor over the artwork. While his inks certainly reflect the casual lines of a sketchbook, the artist's stunning watercolors seem to tell a different story—one in which the casual nature of a sketchbook is transformed into a work of art.

That, ultimately, is what we're left with—an brilliant artist attempting to deliver a fairly straightforward diary strip, who can't help but transcend the genre in the process.

–Brian Heater


 
 

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Zine Review, Somnambulist Number Ten



 
 

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via Somnambulist Zine by noreply@blogger.com (martha grover) on 2/24/09


What I needed: I'd like to thank Zine World for their glowing review!


You can order Zine World:
$4 US, $5 Canada/Mexico, or $7 overseas.
Subscribe and get the next 3 issues (plus any in-between supplements) for
$10 US, $13 Canada/Mexico, or $20 overseas. Send orders to PO Box 330156,
Murfreesboro TN 37133-0156.

For more info (and payment options), go here:
http://www.undergroundpress.org/zw-announcements/zine-world-27-now-available/


This is the review:


Somnambulist #10: "The Portland Issue." This is hands down one of the best new zines I've come across. Martha contributes two short stories. One, a poetic, beautifully written narrative that contrasts the authors' working-class, rural, "born again" roots up against the upper/middle-class cool of Portland hipster culture. The second, a story of gentrification told through the narrative lens of small casual observances between characters, rather than the political diatribe we come to expect of this topic. Martha's writing uses the sarcastic wit of a Wes Anderson flick to discuss hipster culture, a subject many of us are attuned to discussing, but one we rarely see represented as incredibly as this. Within this issue you will also find the illustrations of Rhiannon Leonard and Jason Schmidt, the poetry of Lisa Wells, and the short stories of Dan Kimbro, which were all also highly entertaining. I cannot give a more glowing recommendation—this is the zine to read. Martha Grover, PO Box 14871, Portland OR 97293, marthagrover@hotmail.com [$3 36S :30] –ailecia







 
 

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new books..new books..new books...



 
 

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via Kelly Kilmer Artist and Instructor by Kelly Kilmer on 2/24/09

Not one, but three tantalizing books are available in your local bookshop now:

Patricia Seggebruch's Encaustic WorkshopSheri Gaynor's Creative Awakenings
Ann Baldwin's Creative Paint Workshop
Three new books by three extraordinary women. Check 'em out.

 
 

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February 24, 2009



 
 

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via The Daily Mandala by Henry Reed on 2/24/09


 
 

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Fairytales in the Supermarket



 
 

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via Zine Classifieds by admin on 2/23/09

Name: Emma
Item price: 3/trade
Location: Sydney

Description:
An alphabetised kiss off to a decade of crappy jobs.

Read more and see images at eternalproject.wordpress.com

Images:
no images


 
 

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Oil pastel drawings.



 
 

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via Eaten By Ducks by zeke.clough@yahoo.co.uk (zeke) on 2/23/09
















Here's something I've been experimenting with, I'm thinking of doing a load of these drawings and then exhibiting them somewhere.
Not sure whether to do them as an
A3 comic strip or to make 'em bigger one off drawings.

 
 

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#3 by Tom Cherry



 
 

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via Optical Sloth by admin on 2/25/09

New review for Nibble #3 by Tom Cherry.  So here's the latest around here:  I'm almost out of comics to review.  Shocking, I know, but there it is.  I'm heading to Chicago in two weeks and should be able to stock up a bit at Quimby's, but I may have to stop this streak before then, probably around the start of next week.  If anybody is willing to help plug that gap and/or actually enjoys my rambling being daily instead of a few times a week, well, that address over on the right is an excellent place to send your comics…


 
 

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Boris Lurie, Leader of a Confrontational Art Movement, Dies at 83



 
 

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via Eaten By Ducks by gaiihin.nkvmr9@gmail.com (Sagäuin) on 2/23/09

I came across this article.

Here are a few quotes from it:

"Mr. Lurie was born in Leningrad in 1924 but soon after moved with his family to Latvia. During World War II he was imprisoned in a succession of concentration camps, absorbing graphic images that would resurface decades later in etchings, paintings and collages. "

"The artists gave a name to their movement, No! Art, the following year, when they staged a show at the Gallery Gertrude Stein in Manhattan. That work was meant to be a rebellion against Abstract Expressionism and Pop Art as well as a protest against dehumanizing influences like fascism, racism and imperialism."

"They were saying no to a world that was saying yes, buy more, spend more," said Ms. Stein, the gallery owner. "It was retaliation against the consumerism of the post-Second World War boom."


"A 1962 etching by Mr. Lurie, for instance, combined a swastika and a Star of David. A 1959 work, "Railroad Collage," superimposed an image of a partly dressed woman over another image of corpses stacked on a flatbed rail car."




 
 

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