zine, [zeen] noun. 1. abbr. of fanzine; 2. any amateurly-published periodical. Oxford Reference


Monday, May 29, 2017

Random Notes 2017

Random Notes 2017
Matthew Rooney

26 Pages
Hand Bound
Size: Mini
$2.00 + Shipping
Random Notes 2017 is a collection of comics hand drawn and bound by Matthew Rooney. The covers are all different to order. The work contains comics from an incomplete comic book as well as several done by Rooney on a flight from Paris to Montreal.

This zine is entirely unique. I was pleasantly surprised by the entire thing as a work. The child-like drawings and obscure comics are definitely something you don't see everyday. The artwork in itself takes on an almost theme of what the author was trying to convey. With every page turn is a new surprise.
If you're into the quirky, comic side of the zine world, the price is a bargain for the surprises you may find in here.

You can email Matthew Rooney to purchase you copy ($2) at mjjrooney (at) gmail (dot) com.

Website: mjrzines.tumblr.com

Review by Daniel Peralta
Completed on 05/29/2017; 11:10 A.M. CST

Thursday, May 25, 2017

Berserkotron #1 [2016]


76 pages, 9" x 6", by David Robertson [Fred Egg Comics],email: d1robertson [at] hotmail [dot] com and check out www.fredeggcomics.com

I found out about David and his comics from a letter I received from "The Dith Dood", Steve Anderson [Dithering Doodles]. He mentioned he had just finished writing a letter to David Robertson, another comics dude, so naturally I followed this 'lead' and we ended up trading comics.

Berserkotron is about two high school kids, Bert and Ronnie. Ronnie builds fighting robots. Bert is into chemistry. When Ronnie shows Bert his latest fighting robot, he asks him to paint it. Bert agrees, kind of reluctantly, but it will give him a chance to test the "magic paint" he recently created.

What I really loved about Berserkotron was the great dialogue between Bert and Ronnie, revealing the complex dynamics of their friendship. You really get the impression that although these guys are friends, like many high school friendships [or even friendships in general], the clock is ticking on how long it will be before a major falling out. To add to the mix is another robot builder, Henry, who comes across as a snotty, spiky-haired jerk who for some reason has it in for Ronnie, and thus Ronnie's robot, which he aims to annihilate in an upcoming 'Robot Wars' competition.

One final thing I wanna mention - something rarely found in comics but so great and welcome when an artist takes the time to do it - is at the end of this issue is a ten-page section of sketches, doodles, scribbles, and the background story of how Berserkotron came to be. Great stuff!

Wednesday, May 24, 2017

Loserdom #25 [November 2016]


56 pages, 8.5" x 6", contact Anto at loserdomzine at gmail dot com for ordering info + www.loserdomzine.com

I saw Anto's announcement of this momentous 25th issue on We Make Zines so I emailed him, and he emailed me back, we agreed to trade zines, and now 23 days later here I am, I've read the whole issue and now intend to convince you to get a copy for yourself. Actually, I'm not going to do that. I'll just write down what I liked about it, or if I didn't like it, what I didn't like about it, and you can read what I've written, or not, do what you like. How about that? Good. OK...

Here is yet another party I've arrived late to - this one even later than all others [except for The Match!, that is - that's a record that will not be broken since the first issue came out in 1969, when I was two. Haw!] Oh well. That's OK. Unless I absolutely love it and decide it's the best zine I've ever read, but there are no back issues available at all...

I like what Anto wrote in his intro/editorial about seeing so many shitty things happening around the world and feeling bogged down and irrelevant - "It brings me back to the question: what is my motivation for making a zine? Loserdom is part of the Irish DIY punk tradition of zine making - a basic principle of which for me is: make your own culture, stop consuming that which is made for you and question. Winning or being the strongest isn't the be all and end all, it's ok to lose."

Loserdom #1 was born in June 1996. [A big year! David Puckeridge's Gristle Fern #1 and my comix anthology Sick Puppy Comix #1 were also born in 1996, but mine [and David's] came out in April, so I'm the sempai!]. I find I'm struck by an envy of anybody out there who has been a reader from the beginning. And then to wonder what happened to all those people who got a copy of Loserdom #1...

My favourite piece in this issue is an interview with independent Irish filmmaker, Graham Jones, who "...releases his films for free on YouTube and has written a manifesto-style article about a movement of indie filmmaking which uses digital technology to produce and release films called Nuascannan [Irish for 'New Film']..." Just one tidbit from this great interview is this one: rather than make a graduation film in third year of film school in London, like every other student did [clamouring to use the equipment], Graham chose to master in theory. So he found and interviewed 30 independent filmmakers around London, transcribed every word they said, and this was subsequently published as a book by the British Film Institute. His first film was How To Cheat in the Leaving Certificate [1996[!!]]; the most recent, Nola and the Clones [2016]. I intend to watch both on YouTube this week!

Also in this issue, a short piece about the need to repeal the Eighth Amendment [Irish Abortion Law]; 'Plastic in the Ocean' - a shocking article about plastic crap floating around the world's oceans, including a gigantic area known as the Great Pacific Garbage Patch, "estimated to be about 10 times the size of Ireland"; interview with bands Una Bestia Incontrolable [Barcelona] and Alps [Ireland]; a bunch of album and live music reviews; and most importantly - reviews-wise - zine reviews! including Maximum Rock 'n' Roll #396 the 'Do Zines Suck?' issue that I went to some length subsequently to order a physical copy of [I ended up emailing MRR because on their website it seemed they only had a PDF version for sale, but not so! Thanks Arielle!]

Loserdom is really great. A zine that deserves to have lasted 25 issues, and deserves to last 25 more.

Saturday, May 20, 2017

The Match! #116 [Summer 2017]

68 pages, 9.5" x 7", THE MATCH! Post Office Box 3012, Tuscon Arizona 85702, USA. Subscription: Free.

Quote from Page 2: "Published since 1969, this journal exists solely to criticize authoritarian society and religion in order to argue for the many humane advantages of freedom and rationality. We are not affiliated with any group or organization. Any publication of this same general orientation may reprint anything herein. DONATIONS: We welcome them and need them. But please: no checks; just cash or stamps only. Seriously - NO checks! Submissions of letters are welcome, and all letters will be considered as being for publication unless you say otherwise. We have no telephone, no e-mail, so either write or forget communicating with us. Typesetting and printing by the editor and publisher, Fred Woodworth, 2017. No computers are ever used in this production."
Fred really drops a bombshell at the beginning of this issue: "...after this present issue, I'm dropping the word "Anarchist" ... Our movement has actually gone in this rotten and criminal direction, or it is so appallingly ineffectual that it cannot prevent even the most transparent deliberate discreditations. There's no other way of putting a spin on this reality: Anarchism as a political or anti-political entity with a name, has failed, and the name itself now signals, more often than not, something that no thoughtful or ethical person should want to be associated with."

Thursday, May 18, 2017

Sprak! Vol 2 #12 [Jan 2017]

24 pages, 8.5" x 6" for a copy, "send money, dvds, trades, zines, letters, blackmail" to Kami, PO Box 278, Edwardstown SA 5039, AUSTRALIA

It seems like a long time since the last issue of Sprak!, but time plays tricks on the mind... However! In his introduction, Kami describes this issue as "a lot of old reviews rehashed with a few choice new ones thrown in to make it look like I've been productive!"

Kami examines sixteen Ozploitation classicks: Pandemonium [1987; D: Haydn Keenan]; Felicity [1978; D: John D. Lamond]; Stone [1974; D: Sandy Harbutt]; Howling III - The Marsupials [1987; D: Phillipe Mora]; Demons Among Us [2006; D: Stuart Simpson]; Dead End Drive-In [1986; D: Brian Trenchard-Smith]; Night of Fear [1972; D: Terry Bourke]; Nightmares [1980; D: John Lamond]; Chain Reaction [1980; D: Ian Barry]; Stunt Rock [1978; D: Brian Trenchard-Smith]; Bad Habits [2008; D: Dominic Deacon]; Patrick [1978; D: Richard Franklin]; Flange Desire [1993; D: Drew Gates]; The True Story of Eskimo Nell [1975; D: Richard Franklin]; Coming of Age [1984; D: Brian Jones]; Inn of the Damned [1974; D: Terry Bourke].

I stand by what I wrote about Sprak! #6 back in 2010 >>> "If you remember your teenage years when the deciding factor on renting a movie was whether there was a big 'Banned in Queensland' sticker on the cover, you will LOVE this zine."

Sunday, May 14, 2017

The Do-It-Yourself Guide to Fighting the Big Motherf*ckin' Sad

The Do-It-Yourself Guide to Fighting the Big Motherf*ckin' Sad
Adam Gnade

60 Pages
Professionally Bound and Printed
Size: Mini
$7.00 + Shipping

Adam Gnade in The Do-It-Yourself Guide to Fighting the Big Motherf*ckin' Sad tells you several pep-talks and motivational skills to help you get through a stressful minute, hour, or day.

Bound professionally by Pioneers Press, and consisting of merely lists and words (no pictures for all of you comic fans), Gnade manages to go through several things to try and keep you motivated.

While this could be read in one sitting, I read this in several over the course of about a week - which I suggest. Throughout the work, Gnade manages to list several pep talks to get you off your feet and give you motivation for when you're lacking.

In Adam Gnade's The Do-It-Yourself Guide to Fighting the Big Motherf*ckin' Sad, Gnade manages to give several pep-talks that can relate to a variety of problems (lack of motivations, what to do, etc.) to get the average "bored", sad, or uninspired person off of their feet. Don't let the amount of pages and words intimidate you; you could find something very valuable among them.

Purchase here

Review by Daniel Peralta
Completed on 5/14/2017; 9:28 A.M. CST

Saturday, May 6, 2017

Minor Leagues #3

Minor Leagues #3 - Simon Morton

Published by Lydstep Lettuce - April 2017

A5, 66 pages. black and white with colour covers. 

£3 (or pay what you feel you can afford) + p&p

This is the third outing for Minor Leagues. Simon sums up the contents as: 
"Comics about teenage indiscretions, childhood dreams; writing and diary comics about change and renewal in the face of trauma and loss; Spring scenes, Spring feelings, drawings, that sort of stuff."
While writing this issue Simon's dad was diagnosed with cancer, and sadly passed away shortly afterwards. As an autobiographical zine the emotional core of issue 3 centres around the emptiness and bewilderment of sudden loss. But it's not a death comic.

While grief is always personal Simon's work has a way of striking an outward resonance. Minor Leagues doesn't just tell - the combination of image and text creates mood - it evokes. As regular readers will have come to expect there is still humour in the stories and observations, originality in the depiction of the nuances and details of everyday life. 

Although largely autobiographical Minor Leagues succeeds due to knowing what to reveal, what to fictionalise, and what to keep private. Simon has written a blog post that details his thoughts during the making of this issue here.  

Simon offers a cost price of £2 and a regular price, which is still just £3. This is to enable people who really want to read/buy small press work but can't afford the luxury. "Why?", I hear you ask - Simon answers: 
"I think it's important to make this kind of work as available as possible, and I hope this goes some way towards that. I know postage is expensive and life is expensive too"

Support if you can. Buy issue 3 direct from Simon - smoo.bigcartel.com/product/minor-leagues-3

Or visit smoo.bigcartel.com for subscription options. 

My reviews of Minor Leagues 1 & 2 are here.

Review by Nathan Penlington

Wednesday, May 3, 2017

In Loving Memory of the Spam Obituaries

In Loving Memory of the Spam Obituaries

by Russell Barker


A5, black and white, 12 pages

Back in 2006, after a deluge of spam from purportedly from oddly named people – ie Manitoba M. Parsnip, Enthusing U. Ming, Halibut Showpiece – Russell (of Lunchtime For The Wild Youth fame) decided to do something using the emails. Rather than the common route of writing back in a ‘hilarious’ way, he took a more absurdist approach by writing obituaries with his wife for each name. Metaphorically killing them off as soon as possible.

The obituaries were posted on a blog under the pseudonym William Ridenhour, which soon caught the attention of other blogs, shared and linked, leading Russell to be interviewed on Canadian radio. The blog lasted only three months before they grew bored of writing it, but those entries have taken on a new life in this zine.

The zine is simply produced, but enlivened by illustrations by Russell and Helen’s daughter Robyn. It is silly, funny, and as absurd as you’d expect.

Review by Nathan Penlington.

Sunday, April 30, 2017

I Need a Bike

I Need a Bike
Joseph Carlough
*note: permission to use direct quotes authorized by author*

14 Pages
Card-stock and Printer Paper
Size: Mini
$2.00 + Shipping

"I Need a Bike" is short story zine by Joseph Carlough that describes a brief period in the narrator's 14-year-old life where he is trying to paint a deck in order to get the bike of his dreams - a "Speedliner X-720, complete with 12 speeds, front and rear brakes, racing stripes and a bitching amount of pride."
The zine is simple in design - card-stock front with white pages, all printed with story.

In the story, the main character is set on getting his dream bike. In the span of 14 pages, you are introduced to several characters - the narrator, his best friend, his best friend's mother, and his best friend's mother's ex-husband. While the last of these is never really presented in any direct contact with the main character, it is still a vital point in the story.

Needless to say, this story was brilliant in its own little way. Reading through the story gave me a great nostalgia feeling with vibes of A CHRISTMAS STORY to even hints of J.D. Salinger wit. And, by the end, it had me gasping for air and on the verge of tears, I have to admit.

Speaking of the end, the conclusion to this short story perfectly completes it and is exactly what I like to see in a great ending, By the end of it, your heart is aching, yet it wraps up the story enough to where you're like "Okay...I understand." Ending it where it ends and not continuing to add information makes this short story what it is.

In critique, however, I would have definitely liked to have seen slightly more backstory as you are introduced to his best friend and her mother, but no story is perfect and some of the wit woven in saves it in this case. (One of my favourite lines, for example: "[Her] mom could make the president's jaw drop, and while it was dropped she could walk up and take his wallet and no one would do a damn hing about it."

In the end, this story brings on an emotional sense of looking back at when you were fourteen, the relationships you had with other people, and how quickly those relationships can come to an end. ~

Purchase a copy on Etsy.

Author Social Media: Instagram, Website

Review by Daniel Peralta
Completed on 4/30/2017; 12:59 P.M. CST

Monday, April 24, 2017

Lunchtime For The Wild Youth – Issue 2: The Gigs

Lunchtime For The Wild Youth – Issue 2: The Gigs

by Russell Barker


A5, black and white, 28 pages

The follow up to the first Lunchtime For The Wild Youth in which Russell revisited the records that sound tracked his teenage years. This time he documents the first 22 gigs he went to.

Issue 2 follows the precedent set in the first issue by again removing technology from the process of making the zine. The result is in keeping with fanzines of the 80s - written on a typewriter, produced on a photocopier, cut & paste, with facts less important than experience.

The contents of the zine are pieced together from a faulty and sometimes very specific memory and a gig book Russell kept for 8 years, in which he stuck tickets and documented every obscure support band. Like Issue 1 Russell’s enthusiasm for music energises each description, and it will have you scrabbling to Spotify to rediscover bands you’ve forgotten or check out bands you’ve never heard of.

Now where are those ticket stubs you couldn't bear to throw out?

Review by Nathan Penlington.

Thursday, April 20, 2017

Lunchtime For The Wild Youth

Lunchtime For The Wild Youth

by Russell Barker


A5, black and white, 24 pages

The concept behind this zine is simple – Russell sets out to revisit albums that were loved in his teenage years, and not played since.

Russell’s enthusiasm for music is infectious. The zine will have those that were there at the time – in the mid to late 1980s - scrabbling to their shelves, storage units to dig out CDs and vinyl, or to eBay to re-buy their past.

And those who aren't quite old enough to remember will discover something new. It is a project born out of a love for the lost tangible joys of record buying – bunking off school to be the first in line at the local record shop on release day, the zines and community built through exchange and bootlegs.  But it is a zine that gains from being able to listen to almost any album in minutes through the magic of Spotify. Reading LFTWY had me compiling a list of albums and songs that sounded interesting and playing them as a kind of soundtrack to the zine.

Lunchtime For The Wild Youth is smartly executed - straddling the divide between youth and adulthood by removing technology from the process. The zine was written on a typewriter, produced on a photocopier, nothing fact checked using the internet.

The artwork, drawn by Russell's daughter Robyn is a charming addition, and a reminder that music has a power that transcends generations.

This is an infectious zine that will have you itching to do the same with your own wild youth.

Review by Nathan Penlington.

Friday, April 14, 2017


Sayward Barone

8 Pages
Printer Paper - Black and White
Size: Mini
$0.78 + Shipping

Seasons. is a small, folded zine on white printer paper with a small poem that is sure to set big ripples.
In Seasons., Sayward Barone describes in eight, small pages the feeling of when the seasons change. Looking at the poem on the surface is just that, but as you start to dig deeper, you find things that make you see the deeper meaning behind the words.

The one thing that really makes this little poem a success, in my book, is the self-application one can do with it. Mentioned in some of my previous reviews, I love to see a poem or work that not only applies to the writer's situation, but can apply to so many other people.

Seasons. manages to successfully describe feelings of suppression and feelings from the weather in a nice, pocket size package. While I wouldn't read this on a light heart, this is definitely one worth picking up.

Purchase a copy on Etsy
Barone's Social Media: Instagram

Review by Daniel Peralta
Completed on 04/14/2017; 2:30 P.M. CST

Saturday, April 8, 2017


Charlie Haggard

30 Pages
Size: Digest
Printer Paper and Card-stock
$5.00 + Shipping

BEARQUEFT COMIX #1 is the first in a series being created by Charlie Haggard. Bound in an all orange, card-stock cover and printed on printer paper in black and white, this comedic zine takes you through several brief adventures involving originally created characters.

This comic zine has two main stories with several interludes.

The main stories - Planet Man and Slumcat - were both very comedic. The type of comedy Haggard is going at pairs extremely well with this almost grunge-type atmosphere. While I would sometimes consider the black and white printing a downfall in some comics, I felt it worked extremely well for this; in this case, it made it feel like reading the comics in the weekly newspaper (which is fantastic).

My favorite part about this comic are the interludes found in-between the larger comics. These little gems made for great breaks between the stories and made for an overall, well-rounded comic zine. The pokes at modern society and art-work made for great chuckles - which is usually a hit or miss with that subject. And the fake ads were golden

All in all, the ideas Haggard has going here work very well together, creating a balance that makes for a well-rounded zine. I'm very glad this little zine found its way to my doorstep. I'm very interested to see what Haggard has to offer next.

Purchase: Here

Charlie Haggard's Social Media as Follows: Instagram

Review by Daniel Peralta
Completed 04/08/2017; 4:01 P.M. CST

SZR Official Instagram

Monday, April 3, 2017

SZR T-shirts

Our staff decided to get ourselves t-shirts.

How To Get Abducted By An Alien

How To Get Abducted By An Alien
Krystal Becker

12 Pages
Printer Paper - black and white
Size: Digest
$2.65 + Shipping

This comic zine, bound with string and printed on normal printer paper, gives you a brief guide on how to be abducted by aliens.

The artwork throughout is very "cute" - giving it a more child-like, non-serious vibe. The pictures are all in black and white, which accompany these silly steps to have your chances of being abducted by aliens supposedly higher. While the idea is really neat, I feel like having the pictures in color would have made for a lot better experience overall.

The writing and steps, I will admit, are very amusing, and I like how she plays on this idea. However, I feel that the ending was very abrupt and there could have been room for a lot more in terms of steps.

Needless to say, I know how hard it is to put zines together, and the fact that Becker has put the time and effort to give us a nice, sleek layout is a feat in itself.

In the end, it is an extremely cute idea, with extremely great artwork, that did have me snickering a little throughout.

Purchase a copy through: Etsy

Review by Daniel Peralta
Completed on 4/3/2017, 5:08 P.M. CST

Thursday, March 30, 2017

Hi, it's your dad here

A head's up - this isn't an unbiased review, it's a shameless plug for a zine by one of the SZR staff reviewers. 

Hi, it's your dad here
by Nathan Penlington

44 pages, A6.
£3 (+90p p&p UK, +£1.90 p&p rest of world)

Q: What do you get if you combine a piece of rubber tube, 2 pound shop funnels, 16 works of twentieth and twenty-first century literature, and an unnamed fetus? 

A: An experiment in literary incubation in the form of a zine. 

The backstory: my partner and I have just had a baby. It has been proven that babies form attachment to voices they hear while in the womb - naturally a mother's voice is the most comforting noise.

Obviously I was external to the incubation, so we wanted to come up with a way for me to bond with the baby while she was in the womb. 

I had a plan - I made a speaking tube so I could read out every night. This zine is a record of those books and the reasons why they were chosen. 

Featuring works by JG Ballard, Eudora Welty, Jules Verne, Kurt Vonnegut, Richard Brautigan, Raymond Queneau, Rikki Ducornet, Guy J Jackson, Ray Bradbury, AF Harrold, Ernest Noyes Brookings, David Greenberger, Franck Pavloff, Angel idigoras, Peter Manseau, and PT Barnum. Hi, it's your dad here -  is a zine in the form of a pocket sized book, at pocket money prices. 

Limited edition of 100 - all copies signed and numbered. 24 hand drawn illustrations, and my favourite thing, a soft-touch laminated cover. I know, sounds good right?

You can buy a copy with PayPal via my website: nathanpenlington.com - Hi, it's your dad here

Ok, plug over. I can hear a baby crying. 

Monday, March 27, 2017

Drawing Is Hard

Drawing is Hard
Michelle Smith

32 Pages
Printer Paper - black and white
Size: Mini (4.25" x 5.5")
$2.00 + Shipping

This is an art zine printed in black ink, with a cream-colored cover and white pages - all on regular printer paper.

When I first saw this zine, I was very intrigued by just the concept - a person with an art degree using minimalist tools and references to create an entire zine of art. Michelle Smith uses a black crayon to draw, from memory, an animal corresponding with every letter in the alphabet.

The layout is very simplistic, containing one animal per page, and as the letters get a little more tricky, Smith uses a little humorous variation (especially around "X") among the drawings. Looking through the zine, I felt very connected to the drawings in that the print quality is so good, you almost expect to feel the crayon under your fingers when you touch it.
I apologize for my dry skin haha
While there is definitely nothing edgy or extreme about this zine, it is definitely a nice little thing to browse through and giggle at when you need a break. This work doesn't take too much of the mind to process, and sometimes that's a good thing. There's no hidden messages or deeper meanings, just cute drawings in black crayon.

And, sometimes you need things like that. ~

Purchase a copy through BlackShellPress on Etsy: Drawing is Hard

Review by Daniel Peralta
Completed on 3/26/2017, 9:26 A.M. CST

Saturday, March 25, 2017


Kate Berwanger

8 pages
Size: Mini
Parchment Paper
$3.25 + Shipping

DRUG. is a flash-fiction by Kate Berwanger which describes the momentous heart-beats directly after a huge break-up.The (now previous) significant other has just walked out the door, and the narrator is left kneeling on the rug that once held so many precious memories.

Kate manages to brilliantly describe these terrible moments of a rough break up in around 400 words and does so in a way that is both heartbreaking and personal, but very easy to relate to. The descriptions and emotions are brilliantly described in that you can feel the gut-wrenching sensation the narrator is feeling just as it is occurring. The narrator is left on their knees absorbing what just happened while also reliving the past in a way that is sure to leave you gasping for air.

Printed on folded parchment, with a picture of the rug printed on it, the text is in a cut-paste type format which really suits this feeling of disconnection, yet sound mindedness in a time when one's emotions are in a flurry..

In the end, DRUG. is flash-fiction that makes you remember and ache for someone that could so easily be yourself.

Purchase on Etsy:  DRUG.

Kate's social media are as follows: InstagramEtsy

Review by Daniel Peralta
Completed 3/25/2017 12:56 A.M. CST

Wednesday, March 1, 2017

Vice - Issue 5 & 6

Vice - Issue 5: Living Film & Issue 6: In the red

by Shayan Shafii 

16 pages, 6.5cm x 10.5 cm. B&W, stapled. 

$2 + postage

Vice is a great little pocket zine, with an old skool cut & paste style that is an aesthetic nod to the punk zines of the past.  

The content is a collection of music reviews, cartoons, stories, lyrics, images, and snapshots taken directly from experience. 

Issue #5 (October 2016) considers what happens when you experiment with sleep deprivation, what it's like working in a call centre, and the consequences of owning long living pets. 

The latest issue #6 (January 2017) examines the people riding Amtrak trains, plus poems and stories inspired by "the time for love, hate, and all kinds of intangible imbalances". 

In short Vice is a varied, interesting zine. And like the best kinds of zines - it fits in your pocket for those moments when rather than thoughtlessly scrolling through your phone, you can reach out and feel genuinely connected. 

To order contact: shayanshafii {at} gmail {dot} com

Check out details of past issues here: geocities.co.jp/shayanshafii/underground-society/vice.html

Review by Nathan Penlington.

Sunday, February 5, 2017

The Gaysi Zine - Issue 5

The Gaysi Zine - Issue 5

156 pages. 28 x 22cm. Full colour. 

INR 400 + INR 50 (Delivery charge within India -  see below for international rates)

The theme for the latest issue of The Gaysi Zine is desire in its tangle of emotion, instinct, passion and confusion, in its myriad of voices, perspectives and realities. As the editors outline in their introduction, storytelling is the key to insight, and 
"the zine in many ways is an attempt at providing a common platform for all these different realities, not just to give them a way to the world and hence become something shared, but also to come together to paint a bigger picture of where we are as a queer conscience".
The zine achieves that and more. The content is clearly lovingly curated, beautifully designed, with a truly international range of contributors. It is by turns provocative, evocative, and erotic.

The contents range from documentary comic strips, short stories, poetry, guides to help you achieve multiple orgasms and improve your scissoring technique, to personal memoir. 

To quote the editors once again: 

"Desire is our weapon against an automated existence". 

Don't deny your desire to get your hands on The Gaysi Zine. Order a copy now. 

Check out Gaysi zine online here: gaysifamily.com/tag/gaysizine

To order visit: instamojo.com/GaysiFamily/the-gaysi-zine-issue-5-156-pages-mrp-400-del

**For International Delivery: please write to gaysifamily@gmail.com with the subject lines ‘Booking The Gaysi Zine – mention the number of copies’, and the Gaysi family will take it forward from there.**

Review by Nathan PenlingtonMy reviews of previous issues are here

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