zine, [zeen] noun. 1. abbr. of fanzine; 2. any amateurly-published periodical. Oxford Reference

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Showing posts with label Jeremy Dixon. Show all posts
Showing posts with label Jeremy Dixon. Show all posts

Monday, October 1, 2018

I came home with a foreigner Saturday night



I came home with a foreigner Saturday night
by Jeremy Dixon / Hazard Press

A6, eight pages, Limted edition of 100, colour print, hand stitched. 

£4 (free p&p)




I am a huge fan of found art and found writing. One of my favourite zines of the early 2000's was Found magazine, I included a monthly found poetry column in The Fix (now no more, but at the time the UK's first stand up comedy magazine), and my live interactive show Choose Your Own Documentary centres around four pages of a diary found between the pages of a second hand book. So, even before opening this up, I knew I was going to like it. 

I came home with a foreigner Saturday night reproduces a photographic portrait of a man taken sometime around 1910-1919, and a handwritten entry scrawled on the back. Because its tricky to decipher the handwriting, the text has also been translated into type, and in the process has become poetry. 


The poem is pregnant with desire, promise and hope. And like all found writing is riddled with questions - the who, what, where - but also 'what happened next?'. It is this fragment of time lost that gives this little book its power. 




To buy a copy, or to check out more of Jeremy's work visit: www.hazardpress.co.uk



Review by Nathan Penlington



Friday, September 28, 2018

Finding your way to Dylan Thomas



Finding your way to Dylan Thomas
by Jeremy Dixon / Hazard Press

A4 zine fold, colour printed. 

£3 




A charming little literary zine, a homage to the work of Dylan Thomas and a poem about place. 


The micro-book rests on a simple idea: a series of photographs of the signs that lead to Dylan Thomas' boathouse in Laugharne,  South Wales - a place that directly inspired one of Dylan's most famous works Under Milk Wood. 

Simple thought it might be, this little publication is ultimately greater than the sum of its parts. Finding your way to Dylan Thomas indirectly asks the question that all tourist pilgrimages must ultimately confront - what is it you've ultimately come to see? There is a melancholy in the locations of the heritage signs that ultimately must face the inevitable. 



Fan of Dylan Thomas or not (and how can you really be a not?) it's an engaging publication from a press with many other intriguing literary experiments to explore. 

To buy a copy, or to check out more of Jeremy's work visit: www.hazardpress.co.uk


Review by Nathan Penlington


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