Halifax Comix Jam #11/12

It's the end of the month, and so it is once again time for me to "review" an old issue of the Halifax Comix Jam comic in order to promote the comic jam happening tonight at Roberts Street!

Honestly, I think jam comics like this are probably more valuable to the people that made them than to random outsiders. This is because these comics rarely make any sense at all.

(If you're not aware of what a jam comic is, they're comics where one person draws a panel, and then someone else draws the next panel, and so on. They usually don't have any real narrative flow, and the art styles can change drastically between panels.)

Still, I think they're neat because the jam sessions themselves encourage people to draw and be creative, which is something I think more peohttp://www.blogger.com/img/blank.gifple should be doing.

But yeah, go to the Comics Jam at Roberts Street Tuesday, April 24th (tonight!), 7-10pm. It will be fun! I promise. There will be cookies.

(Originally written for 365 Zines a Year.)

Panel: "Sweet" 16

Published by Ferret Press
600 Markview Road
Columbus, Ohio
43214, USA
www.ferretpress.com

I reviewed one of these anthology comics last year, and while I found the stories of varying quality, there were a couple that I enjoyed.

While that issue was about superstition and bad luck, this one is about a substantially different subject: romance and relationships. This is an area that I am less interested in. Or rather, the ways in which it is presented here didn't appeal to me.

Several of the pieces were about marriage and children, concepts I generally find boring and dull, while another shows a relationship that seems to be based mostly on material wealth (it's supposed to be comedic, but instead succeeds in making me sad). I also took issue with one of the comics that said that the alternatives to "monogamy over a 70-year lifespan" are "really awful". This person might want to look into monogamish relationships.

The best story in here was by KT Swartz and Brent Bowman (who illustrated the comic I liked in the other issue I reviewed). It's more about the titular sweet sixteen (a concept that both mystifies and terrifies me) than relationships, and is kind of Hunger Games-y. I don't think it really works as a complete story by itself, and functions more as a Future Shock type story, but I found it more interesting than the other content in here.

(Originally written for 365 Zines a Year.)

Robots and Electronic Brains number 14

Edited by jimmy possession
www.robotsandelectronicbrains.co.uk

This music zine is packed full of reviews, interviews, and articles about music and bands. Unlike most zines of this type it doesn't focus on one particular genre and the content can go from discussing Welsh language hip hop to the bands influenced by '60s French pop music.

Writing about music can be a pretty difficult thing to do, and I think even the best writers are writing it for people that read music writing. Thus, as someone who doesn't know that much about music I often felt a bit lost when reading some of the content here, which perhaps can be said to be aimed at the sort of people who spend their weekends searching through crates of records at garage sales in the hopes of finding that one amazing seven-inch.

However, some of the interviews were pretty good, and it came with a compilation CD with loads of different music on it (everything from hip hop to indie to weird cut up spoken word bits featuring Vincent Price), and it's worth it just to get hold of that.

(Originally written for 365 Zines a Year.)

Treasure Hunt issue two

treasurehuntfuns@gmail.com

I think the strange collaged cover featuring multiple drawings, photos, text and other elements is possibly the best part of this group zine.

The contents are as random as the cover, and include pieces of art, poetry, a few bars of musical notation, photographs, an incredibly long and dull (to me) interview with a musician (that I just couldn't get into because it was about someone I'd never heard of, and didn't seem to discuss why I should care about him), a recipe, found art, and a prose piece about a breakup that was pretty good and written in an interesting style.

The zine was supposed to be a showcase of ephemera, and to that extent it succeeded. However there really wasn't anything in here that stuck in my mind. I looked at the cover of this zine before writing this, and couldn't remember a single thing featured inside. I'm not in the best of mental states right now, and I do like zines that collect random things and found objects, but this issue didn't do much for me.

(Originally written for 365 Zines a Year.)

Pathologize This! A Mental Health Zine

mentalhealthzine@gmail.com

Mental health is an important issue, and one that is frequently ignored by many people and most media. Zines are one area where there are people telling their stories about mental health issues. This allows people to learn that they are not alone, discover how other people live with their mental health issues, and heal through writing about their own lives.

However, it can be hard to read this sort of thing, and even write about it. This zine is filled with brief, anonymous accounts of different mental health issues. Anxiety, depression, eating disorders, physical problems, dealing with rape and sexual assault, and other things are written about in stories, poems, interviews, and essays. They are not all easy reading, and some of them kind of upset me.

It also made writing this review kind of hard, as I didn't know what to mention and what not to mention. However, if you are interested in this area, you might enjoy this zine.

(Originally written for 365 Zines a Year.)

Khyber Komix Jam #2

Edited by Kyle

A comics jam is an event where a bunch of people get together and draw collaborative comics. Usually each person draws a panel, and then passes it on to the next person (who in turn passes on the comic they'd been working on). You spend an evening hanging out with other comics artists, and at the end you have a pile of usually bizarre, generally nonsensical comics.

While these are great drawing exercises for the artists, both to get them to actually draw something and to draw within a certain period of time, they results are generally incredibly uneven. You have some participants who try to continue the story started by the previous artists, but others who go for random jokes and non sequiturs.

You also have an incredible variety of art styles, and while a few of the artists here are quite good at drawing something within the allotted time, others are not. My favourite comic had to do with a horrible jelly fish attack, both because jelly fish (or at least the idea of flying ones) terrify me, and because on average I think it has the best art. I guess jelly fish aren't that hard to draw.

Ultimately though, I think the biggest problem is the lettering. I can't even read a bunch of the dialogue! I'd be really interested to hear of any comic jams have used a writer/letterer who would write the dialogue/captions in advance and have the artists draw things to try and match up with that. I don't know if it would work better, but at the least the produced comics would (probably) be more coherent.

(This review was originally published on 365 Zines a Year.)

Loserdom #21

loserdomzine@gmail.com
www.loserdomzine.com

One of my favourite things about reviewing things for this blog is that I read so many random things, and sometimes I am completely and utterly blown away by content I did not expect.

That is the case with Loserdom #21. I'd read some issues before, but nothing prepared me for the massive (over twenty pages!) history of the Dalkey punks that appeared in this issue.

Dalkey is a village suburb of Dublin in Ireland, and it doesn't seem like that exciting a place to live. Anto grew up there, and remembers being a little kid in the early '80s and being both scared and fascinated by the punks he saw hanging around town. Almost thirty years later he's tracked five of them down and interviewed them about what being a punk in that time was like, how they got involved with the scene, what music they listened to, how they dressed, where they hung out, how the group came to an end, and what they're up to now.

It is an incredibly epic piece of journalism, and feels more like the basis of someone's thesis in folklore, anthropology, sociology, or history than an article in a zine. It's a fascinating piece made all the more interesting because of the real emotions that the interviews conjure up in people. You can feel the joy and fun that these people had back when they were kids, and then, in the most brutal and unexpected part, there is a tragedy. I don't really want to spoil what happened, but it was a big enough thing that it was mentioned in newspapers at the time (which have been dug up, photocopied, and included here).

Even if that was the only thing in Loserdom #21 it would be worth picking up, but this is a massive zine and there's loads of other stuff too! Comics about riding bicycles, an interview with a woman who's been busking in Dublin since 1985, and more. Not all of it appealed to me, but that's always the case with anthologies, and I think this is definitely worth checking out.

(This review was originally published on 365 Zines a Year.)

Bear with a Chainsaw Issue 1

Edited by Devin Renshaw
supercrazymonsters.blogspot.com

In his introduction Renshaw says that there's no "rhyme or reason to this zine", and that is entirely true, as the content switches between his drawings of monsters and completely random written content from others.

The monster drawings are pretty rad. Monsters! Yeah! That's like ingredient number one to make me like your zine. Renshaw draws tentacled monsters, hairy monsters, insect monsters, and more. None of them is incredibly horrifying or anything, but if you spend too much time looking at them and thinking about what they'd look like in real life they can create a certain sense of squeamishness in you.

The other content is considerably less good. A piece about why hobos are terrible which misrepresents homeless people (even if the author claims not to hate them), a poem I don't remember (surprise, surprise!), a nonsensical story about someone trying to find matches so they can smoke up, and some pretty gross "self help" style pieces (ie. "How To Revive Dead Mac n'Chz", and no, I've never put a half eaten pot of macaroni and cheese "in the frig".)

I liked that Renshaw saw fit to put little hand written editor's notes at the end of all the pieces other people wrote for him, but the pieces in general were not really my thing.

I did like the monster pictures though. Monsters! Raaarrrrrr!



(This review was originally published on 365 Zines a Year.)

025.431

By Ella Dawson, Zoe Forster, Caitlin Verney, and Ruth Collingwood

This is a group zine featuring a pretty wide variety of content. The first piece is half photos and half text and is about interesting/important graveyards that Dawson has been to. It's pretty cool, but the photos suffer from being reproduced by photocopier and having text pasted over them. Graveyards are rad!

The next piece is on big cats, and features a number of drawings of roaring cats, as well as a review/plot summary of a movie about one of those weird celebrity big cat performance people from the USA. Animal performances always make me kind of sad.

The longest text piece was a story about the trials and tribulations a woman went through in order to get a pet cat. It made me miss the cat I had back when my family lived in Canada. Biscuit, you were awesome.

There's also some found objects, collages, and other stuff. The whole thing seems sort of like a collection of found objects, and the library numbering of its subjects makes it seem like you're just wandering around a library reference section reading things at almost-random.

(This review was originally published on 365 Zines a Year.)