bio auto graphic #31: Hand Book

bio auto graphic #31: Hand Book

Michael C. Nicholson / ensixteen editions

Right hand - A5, 28 pages, full colour throughout.
Left Hand - A5, 12 pages, full colour throughout.

£12 for both volumes + p&p

The latest issue of Bio Auto Graphic takes a further step into expanding Michael's intriguing examination of the relationship between content and format. From the five volume set that covered the five senses, to the last issue which suddenly burst into Technicolor. This double set of issues explores hands - how they express personality and, perhaps more crucially, how we consider our second most expressive body part. 

To do so Michael "reached out to fellow travellers whose hands are a key to their creativity or livelihood". Each interview is filtered down into Michael's poetic prose, and illustrated by a full page colour portrait of that person's hand. Devoid of the other contexts we naturally try and attach personality to, we're left to consider how the wrinkles and scars reflect those lives and livelihoods. I feel extremely honoured that one of those hands are mine. 

Collectively, these portraits form an emotive set of snapshots into a variety of lives, personal histories, and cultural backgrounds, linked through a shared desire to connect to the world with more than a wave hello. 

It's a beautifully executed, well produced, and quietly profound work. Get your copies while you can - the first edition sold out within a couple of weeks. I've been told there are a few copies remaining of the second printing.



For more information visit the Ensixteen blog: ensixteeneditions.blogspot.com

Or email Michael directly: ladnicholson(at)yahoo(dot)co(dot)uk


*** You can listen to Michael being interviewed by Robert Elms on BBC London - zines, small publishing, and the sweeping changes across London. From about 37 minutes in https://www.bbc.co.uk/sounds/play/p07rkn7b) ***

Review by Nathan Penlington - you can find my reviews of previous issues of bio auto graphic here. 

Art School - Adam Void

Art School

by Adam Void

Approx 21cm x 27cm, zine fold into 7cm x 10.5cm.

One page double sided b&w on orchid stock

$1

A visual mash-up, collage, cut & paste mini zine from prolific artist and zine maker Adam Void. It's a kind of cool little zine, and a perfect example of Adam's seemingly ceaseless creation and his view on art - specifically art school. 

In Adam's own words: 

"Well, not just any art school. It's a remix of illustrations from the 2018 School of the Alternative handbook. So more like art school in the woods with spraypaint, bears, and a bunch of weirdos."

I've reviewed a few of Adam's other zines in the past - which you can find here. I've always valued his work, so I'm excited to see Adam's new venture, a partnership with Chelsea Ragan, called Cut in the Fence. 

Cut in the Fence is a zine producer and distro with a focus on graffiti, underground, and folk art. Go visit the website and you'll see some great looking stuff - I've been sent a few more things for review, which will be posted soon. I also really think the pricing is set at a level that is accessible. For that reason, be aware that lot of Cut in the Fence publications are limited edition, so if you see something you like, don't hang around. 

Buy the Art School mini zine here: cutinthefence.com/product/art-school-adamvoid

www.cutinthefence.com



Review by Nathan Penlington

Rum Lad #10

Rum Lad #10

by Steve Larder

A5, black and white on grey paper, 16 pages

£2 (plus postage)

Rum Lad is a unique combination of diary style comic and astonishingly detailed illustration. When sending me the latest issue (it's one of the best things you'll read this year - read my review here), Steve also sent over issue 10 for review. 

When Steve isn't drawing he makes noise in a band called Moloch - Rum Lad #10 is essentially a diary of the Moloch / Savage Realm 2016 tour. Moloch make music that is around the Sludge/Doom area of the spectrum. If that doesn't mean anything to you, they describe themselves like this:

Moloch's primary objective is to ruin everyone's night with a bass tone that has so much treble and distortion that it reduces humans to paste and a turbo brute behind the pots and pans who just won't give in until every snare is destroyed.    

The zine follows the the ins and outs of touring, lugging gear, soundchecks, crashing on floors, discovering new bands, new people, and new places to eat. Also included is a breakdown of some of the finest Slayer moments. 

Rum Lad #10 is a peek backstage at the reality that underpins the moments a band is on stage, all the unseen and unexpected acts of kindness that allows that raw brute wall of noise to happen. 

You can listen to Moloch on their bandcamp page - moloch.bandcamp.com - but it doesn't have to be your kind of thing to take something away from Steve's zine. 

Buy a copy via Etsy: https://www.etsy.com/uk/listing/501213378/rum-lad-10-comic-zine - and while you're pick up issue 12 too! 

And visit Steve's site for more of his incredible illustrations: SteveLarder.co.uk

 

Review by Nathan Penlington

Doodles and dontdles

Doodles and dontdles

by Will Conway / tastes of ink


A7 zine fold from A4. Colour printed.


£1.50

Doodles and dontdles is another pocket sized zine by Will Conway. This one is a series of handwritten jokes, clever word play, and puns, accompanied by hand-drawn illustrations. It's a witty celebration of word and image, a gateway into Will's work - work that sits confidently between comedy, poetry, comic books, and illustration. More of Will's work is reviewed here, and while you can buy individual zines on his Etsy shop, I recommend taking advantage of the 'Buy any 5 for £5' offer. There are plenty of zines to choose from - if you can't decide, just pick a few at random, you'll be rewarded with a little pile of zines with a unique and funny perspective. 

Doodles and dontdles is available to buy here: etsy.com/uk/listing/647355283/doodles-and-dontdles-will-conway


And this is Will's Etsy shop: etsy.com/uk/shop/WilconWayBooklets



Review by Nathan Penlington

Rum Lad - Issue #12

Rum Lad - Issue #12

by Steve Larder

A5, 28 pages, black and white on grey paper.

£3 (plus postage)

Rum Lad #12 is a funny & heartbreaking tribute to Steve's grandparents. His Gran died in 2013, followed by his Grandad in 2017. As Steve says in the introduction: 

"Grief can do all sorts of cruel things to your brain...the jarring lapse where you forget they're gone"

He goes on to point out that the hurt of grief is caused by love and affection. Steve has captured his love for his grandparents in this collection of short stories, and comic strip vignettes, that reflect the absurdity of everyday life and the unexpected moments that we store as tender memories: his Gran wearing a Tesco carrier bag as a substitute hood, and hanging sweary punk t-shirts on the washing line; his Grandad's relationship with Paxo, and a catalogue of his tattoos.

Rum Lad #12 is also an unflinching chronicle of his grandparents' decline - the failing bodies, and reversing of roles, that we all have to face as we age. 

Rum Lad has a trademark style of art - a combination of breathtakingly detailed line drawings that sit alongside more comic book style illustration. The writing in this issue reminds me most of Simon Moreton's Minor Leagues, not just the themes of memory and loss, they are both told with a similar warmth and humour. 

It's a no-brainer. Not only is it just £3, it's one of the best things you'll read this year.

Buy via Etsy: etsy.com/uk/listing/644672935/rum-lad-zine-12-comic-perzine

And visit Steve's site for more of his incredible illustrations: SteveLarder.co.uk

Review by Nathan Penlington

Forever And Everything #3

Forever And Everything #3

By Kyle Bravo

14cm x 21.5cm, 46 pages, 

$10 (plus shipping)

Forever and Everything chronicles fragments of everyday life with a young family, the struggles and joys of creating a new life and new art. We join Kyle and his family when their first child is a toddler, with another child on the way. As a dad of a two year old, there is a lot in Forever and Everything that speaks directly to my personal experience: the difficulties of explaining the world, and having to psychologically accept a psychotic range of emotional outbursts at any given moment. But there is a lot here for anyone, parent or not, who is a fan of the Chris Ware end of the comic spectrum. 

The stories are full of emotion and humour, wry observation, and an honestly that is beguiling. The simplicity of the drawing style contributes to the tone - going on one of the fragments in this issue they seem to be drawn with a ball pen, which is also part of the charm. 

It's hard to believe that Kyle only started making comics when his first child was born, Forever and Everything #3 is a confident and considered comic worthy of your time and attention. 

Buy a copy via Etsy: etsy.com/listing/640787451/forever-and-everything-3

You can also check out some of Kyle's stories on Tumblr - most of the comics in Forever and Everything #3 are brand new, and have not been published elsewhere, but this will give you a great introduction to his work.  foreverandeverything.tumblr.com

Review by Nathan Penlington

Dog-Ear - Issue 9

Dog-Ear - Issue 9

6cm x 21cm (A4 folded into 5 panels)

Free where stocked / £1.50 if bought online

Dog-Ear is a great example of a publication in which content, form, and distribution, all coalesce into a unique, perfect zine. 

The zine is formatted from a single A4 sheet concertina folded into a bookmark. The size means each page is perfect for poems, short short-stories, and provides an elongated blank canvas for original illustrations. 

The contents of issue 9 include witty pieces from Neil Laurenson, Olivia Spidel, Nathan Fidler, Rebecca Field, and Mansour Chow; an excellent visual interpretation of Day of the Triffids by Vicki Johnson; and an experimental crossword by Charlie Methven in which the answers are each a different single letter of the alphabet (its a concept George Perec - member of the Oulipo and crossword composer - would definitely approve).

Dog-Ear is primarily distributed free at selected independent bookshops at locations around the world, but it is also available to buy either as a year subscription (£7 for 4 issues), or individually at £1.50 an issue. 

Dog-Ear is also open for submission - check their website for details: dog-ear.co/submit

Review by Nathan Penlington

bio auto graphic #13: common senses

bio auto graphic #13: common senses

Michael C. Nicholson / ensixteen editions

A5 black & white booklets, cardboard covers, in five volumes - with printed belly band.    

12 pages per volume.

£15 for the set of five. 

In 2007 Michael was invited to Smith College, Massachusetts, to make work that reflected and considered the traditions, people, and place, that make up the institution. This five part set of bio auto graphic grew out of that visit.

While each part takes one of the five bodily senses as its focus, each part also explores 'sense' in a broader context: a sense of learning; a sense of identity; a sense of Smith; a sense of place; and a sense of self. 

Like previous issues, this set of bio auto graphic is poetic, profound, and visually arresting. Readers of other issues of bio auto graphic will already be familiar with Michael's distinctive illustrative style - his approach to line and space, the way he layers time and imagination, and allows the subject matter to be considered from unusual vantage points. 

Drawings from Michael's sketchbook adorn the inside covers - and offer a glimpse into Michael's ability to capture fragments from life, his thought process, and his approach to drafting what will become the final layouts used in this collection. I always find unfinished work fascinating, so it's an additional pleasure to be allowed that peek backstage, and thoroughly annoying to see how casually talented Michael is.  

In addition to Michael's own writing the text of common senses includes parts of interviews with students and tutors of Smith College, as well as quotes from literary and artistic figures. All of which help build a complex, multi-faceted, interrogation of topics.

There are only a limited number of common senses sets available, so all I can say is use your common sense, and get yourself a set before they sell out.

For more information visit the Ensixteen blog: ensixteeneditions.blogspot.com

Or email Michael directly: ladnicholson(at)yahoo(dot)co(dot)uk



Review by Nathan Penlington - you can find my reviews of previous issues of bio auto graphic here. 

The American Indian Ready to Wear Catalog 2018

American Indian Ready to Wear Catalog 2018 
by Joey Clift, illustrations by Janet Myer 

14cm x 21.6cm, 12 pages. Colour cover, black and white pages. 

$5 or $1 digital* copy

You only need to have a very rudimentary knowledge of American history to be aware of the horrific atrocities carried out on native tribes by 'settlers' of the 'new land'. Even at this point in history discrimination against indigenous people in American is ongoing, and in many cases codified into law. 

American Indian Ready to Wear Catalog 2018 is written by Joey Clift, a registered member of the Cowlitz Indian Tribe, who grew up on the the Tulalip Indian Reservation. In correspondence Joey said this about his zine:

"Working in the entertainment industry, it frustrates me to no end to see how little representation actual native culture has in popular media. When we do get representation, it's almost always based on a very specific image of native people that hasn't been accurate for hundreds of years, if not just a straight up racist stereotype, the goal is to shine a light on that"

The American Indian Ready to Wear Catalogue 2018 is a biting satire which leaves no appropriator of Native American culture unscathed: Disney; The Native Sports Mascot; a well known butter manufacturer; Hollywood actors; sports team owners; male and female retired New Agers; and middle-class hipsters. 

This is a perfect example of the tone and style of Joey's zine:

For satire to work it needs to be funny and simultaneously make a political point, this zine does both of those things extremely well - that it needs to do so proves the tragic state of American culture.

I'm a sucker for cross generational collaboration, so the fact this zine is illustrated by Joey's mum is an added joy. Janet's drawing contributes considerably to the look and humour of the zine. She's a professional artist in her own right, some more examples of her work can be found on her artist facebook page. 

So, to know what not to wear this, or any, season go and buy a copy of the zine here: Redcatpress.com

*Please note we do not endorse digital zines at Syndicated Zine Reviews!


Review by Nathan Penlington 

Keep Playing

Keep Playing
by Will Conway

A7 zine fold from A4. Coloured print. 

£1.50

Do you remember the advert for that awful board game called The Game of Life?

"Be a winner at the game of life, 

 Get a job - have money maybe

 Get married - have a baby..."

(You can find the advert on YouTube)

If anyone is compiling a Top 5 Pieces of Propaganda list, that game has to make it in surely. 

Thankfully, Will Conway has corrected the board game mechanism for real life, the result is the pocket sized satire Keep Playing. I can't say too much more without revealing the content, except to say it's funny and nicely produced - complete with hand drawn illustrations. A perfect zine to gift to fellow struggling game of lifers. 

You can pick up a copy on Etsy: etsy.com/uk/listing/607352139/keep-playing-a-board-game-booklet-will

While you are there check out Will's other pocket money priced zines, more of Will's work is reviewed here.

Review by Nathan Penlington

Random Notes 2

Random Notes 2: Pages of Blank Metal & Noise
by Matthew Rooney

36 pages, 11.5cm x 15cm. B&W print, cardboard cover. 


$4 (Canadian dollars)

Random Notes 2 is a follow up to the zine produced by Matthew Rooney in 2017 (read the review here). It's a hand bound collection of comics, illustrations, and collages, loving put together with a punk aesthetic. I say lovingly, because not only does gaffer tape look great as a spine, it also protects your fingers from those b@*t@rd staples. 

Taken together random notes form a satire on the state of American politics:

"No One Cares About Politics Unless There Is A Meme"

With side forays into sex, and the idiocy of human violence.

If you're into interesting little zines that fully embrace alternative diy culture Random Notes 2 is for you. You can see more images over on mjrzines.tumblr.com

To buy a copy email: mjjrooney {at} gmail {dot} com

Please say Syndicated Zine Reviews sent you.



Review by Nathan Penlington

How to make this booklet

How to make this booklet

by Will Conway

A7 zine fold from A4. B&W print on coloured paper. 

£1.50

The ultimate in self-referential artist-book meta-zines, or a practical how-to guide for those wanting to see how you make a small booklet from one piece of paper with no glue or staples. I'll be honest, I'm on the fence - perhaps it is both simultaneously, like a kind of Schrödinger zine. 

Either way, each page offers simple, illustrated step-by-step instructions on how to make the object you hold in your hands.  

Buy a copy, and pass it on - you might just help encourage a new zine maker. Or just take pleasure from the philosophical conundrum.

Buy now from Etsy: etsy.com/uk/listing/593330423/how-to-make-this-booklet-will-conway



Review by Nathan Penlington

Every Human Being...#1

Every Human Being...#1

Alex Canwell

A7 zine fold from a4

£1 + p&p

The first in a series of zines that looks at things every person does. I don't really want to reveal what that thing is for issue #1 - but just be careful at what might fall out! 

The zine is formed from a collection of funny euphemisms and imaginative slang phrases illustrated with line drawings. I look forward to seeing how this series unfolds.


UPDATE: at the time of writing this zine is now sold out, so its best to contact Alex just in case this issue will be reprinted. 


Buy your copy here: http://sicksissy.bigcartel.com/product/every-human-being-mini-zine-issue-1-limited-edition-run-of-50

bio auto graphic #30: Chameleon Skin Coat

bio auto graphic #30: Chameleon Skin Coat

Michael C. Nicholson / ensixteen editions

A5, 32 pages, full colour throughout

£6 + p&p

Chameleon Skin Coat is a glorious Technicolor departure for the bio auto graphic series. It's an issue that reflects on the drives and darkness of creating, the chaos and coincidences that make up our daily lives, and the search for meaning in the post truth world. 

Michael's distinctive approach to line and space abounds, and the addition of colour pushes this issue in interesting new ways by creating arresting graphic spreads. Walking the line between the intensely personal and the global is incredibly difficult to achieve, and bio auto graphic succeeds in doing so in both a poetic and profound manner, while maintaining humour and wit.   

A graphic Michael states:

It appears I have to do this thing, if only to check I'm still here.

But in doing so creates something that helps us confirm, in these absurd and brutal times, a sense of humanity and humility is still alive too. 

There are a very limited number of copies left, so I'd get in quick. 



To get your hands on a copy visit the Ensixteen blog: ensixteeneditions.blogspot.com

Or email Michael directly: ladnicholson(at)yahoo(dot)co(dot)uk



Review by Nathan Penlington - You can find reviews of previous issues of bio auto graphic here. 

Minor Leagues #4 - Simon Moreton

Minor Leagues #4 - Simon Moreton


Published by Lydstep Lettuce - Oct 2017


A5, 80 pages. black and white with colour covers. 



£4 (or pay what you feel you can afford) + p&p

It's the lightness of touch to both word and line that'd I've come to love about Simon's work, a simplicity that disguises a nuanced approach to storytelling. The threads and themes of issue #4 unfold across moments in time: the death of Simon's dad, layered accounts of memory, the retelling of boyhood memories, and recent domestic still-lifes.

In inclusion of photos in this issue adds further dimension to the zine, one that enriches Simon's expressive style. A kitchen in the 1970s seeming as unreal from now as the fantasy worlds lurking in the bushes of childhood.

The addition of an extra 'story behind the stories' sheet, pulls back the curtain on the creative process. I definitely recommend leaving it until after your first read of issue #4 - as one of the joys of Minor Leagues is making sense of the space, the gaps in time, and in not knowing where truth and fiction meet. That said, the extra sheet adds dimension and emotion to the pages that benefit from context - drawings made while being a passenger in car driving through the Welsh countryside for example. I think the delayed knowing compels you to revisit the drawings, mirroring how memory and knowledge shapes and reframes. 

This zine is warm, personal, funny and emotive. A genuine open door into Simon's life, filtered through the act and art of sharing into something much larger.

Buy a copy: http://smoo.bigcartel.com/product/minor-leagues-4

Or visit smoo.bigcartel.com for subscription options.

Review by Nathan Penlington