zine, [zeen] noun. 1. abbr. of fanzine; 2. any amateurly-published periodical. Oxford Reference

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Thursday, April 8, 2010

ZINE INSPIRATION: Pepper Shop from Japan

 
 

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via ELECTRIC ANT ZINE BLOG on 3/15/10

I spent my lunch break today poring over these incredible fanzine scans, from a Japanese newsletter (and later, zine) put out in the early '90s. 

From what I've gathered, Pepper Zine started off as a manga/art newsletter created by Manabu Koga--- the focus of each of the original newsletters centered around one artist/cartoonist, with a long interview and bibliography. Explained as INPUT -> OUTPUT, the theme seems to be to spread the word about these creators in a cool and curated fashion. I didn't recognize all the artists of course, but a few of my favorites like Kyoko Okazaki, Gento Matsumoto and others are featured in them... it's fascinating stuff!!

After the newsletters (it seems) Pepper Shop was published twice as a proper zine, distributed at Aoyama Book Centre, Parco and other art shops-- with really STUNNING and interesting layout. The first issue is focused on the late Fujio Akatsuka. I included a bunch of spreads here, both for their raw layout style and for the awesome graphics and text treatments. This is the fuel that gets my brain fired!

[from Pepper Shop, click for more scans! Original link via AICNanime twitter]

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Etsy Page

 
 

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via Everyone's Blog Posts - We Make Zines by Ms Valerie Park Distro on 3/15/10

So, about a month ago we started an Etsy page and we've been slowly adding more and more to it. While it represents less than half our stock, it does seem a little more focused towards to the interest of our fellow zinesters and has a bettter shipping scale than our website, especially for international orders. We're setting up a new website, which will have a better shopping cart, but until then, I might point you folks who want to order from outside the U.S. over to Etsy.

--
Ms Valerie Park Distro
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Filmish – comics meet film theory

 
 

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Filmish: Comic Book Essays on Film Theory

By Edward Ross

Self published

Filmish comic book essays on film theory Edward Ross cover

I spotted this mini-comic on a recent trip to Edinburgh's Filmhouse (spiritual home to the city's film festival and a mecca for those who love quality cinema from around the world). A short comic on film theory? Unusual topic but since I spent a fair chunk of my college time studying film theory I was intrigued and picked it up (admittedly a considerable part of my studying involved watching movies in that same Filmhouse, but that counts as research, not bunking off classes, honest). Film and media studies can leave mental scarring for life, with victims still moved years after university to indulge in pseudo-academic discussion (or talking cobblers in the pub post-film, depending on your point of view and level of inebriation) in which they use terms like "the paradigmatic and syntagmatic nature of the text." I shall endeavour not do that here. Filmish is a short work, black and white, nice, clear artwork with card covers,  and obviously it can't cover several decades of film theory in any depth, but Edward opts smartly to take just three areas as examples and discuss those: Monsters, Food on Film and Point of View (the longest of the three chapters).

Monsters was a lot of fun for me – it will surprise no-one that I worked the more fantastical and horror genres into my film studies back in college. Actually this wasn't just because of my own interest in those genres – films with science fiction, horror and monsters in general are a hugely rich subject area for academics. It shouldn't be surprising since these are genres which often use the theatrical trappings of the fantastical to explore real, everyday human fears and concerns. Edward notes this and how the filmic monster has changed throughout the decades in response to historical and cultural forces: Gojira in early 50s Japan playing on the fears created by the atomic bombings which ended World War Two, the 'reds under the beds' scare of McCarthyist America in the 50s and how the original, classic Invasion of the Bodysnatchers fits the rampant paranoia of the time and the fear of the enemy within, through to the body horror of the 70s and 80s (step forward Mr Cronenberg) and the 21st century return to the big monster movie with Cloverfield, linking the rampaging, city-destroying monster with post-911 fears.

Filmish comics essay on film theory monsters edawrd ross

Point of View is the longest segment in the comic and covers rather more than the simple, technical meaning of POV (i.e. the viewpoint presented by the camera's 'eye' to the viewer) but also the cultural point of view: the way a scene or character is framed and the way that influences the way the viewer 'reads' the image. Sadly this does mean a bit too much Laura Mulvey and the 'male gaze' for my taste (at college I thought Mulvey made some interesting points but as with many academics in this field, only selectively, there are many examples that don't fit her theories). That said Mulvey is a major writer on understanding film and my personal likes and dislikes aside Edward would be remiss if he didn't include her in this chapter (thank goodness he didn't quote Barbara Creed and her 'monstrous feminine' or the various Freudian film analysts though).

The POV chapter also takes in later cinema which established different ways of seeing and presenting the world to the audience and changes in the sorts of lead characters audiences are encouraged to identify with, changes which mirror the way society has changed its views on, for example, women. I would question one scene though, where he implies that it was these later films that now allowed the audience to "participate with the film and think about and question the ideology of the onscreen image"; it seems to assume earlier audiences didn't think about what they were watching, which seems unlikely. The passive audience has often been brought up by media theorists for various mass media, but I've never really bought into it (and indeed the old 'hypodermic needle' model of totally passive audience acceptance of what they are presented with is largely discredited among many media studies types. Some elements of audiences have always interpreted the text differently from the preferred reading encoded by the maker).

Filmish comics film theory point of view edward ross

The third and final short chapter is Food on Film – you might have expected something more obvious like a chapter on genre theory, perhaps, but as Edward explains "Wait" Hear me out" It's not as daft as it might sound. In fact food has long played a major symbolic role in the movies". He then goes on to cite a number of examples, from the early, silent era (a starving Charlie Chaplin carving up of an old boot as dinner) to more indirect uses of eating to portray characters' state of mind (the ever increasing breakfast table, one of the simple but incredibly clever devices used to portray the cooling of a marriage in Citizen Kane) through to the more modern era and humans themselves being on the cinematic menu, be it as prey to other nightmare creatures (back to the monsters again! Cinema and film theorists can't leave monsters and horror alone) or being served up to other humans (as in The Cook, The Thief, The Wife and Her Lover).

As I said at the start it seems an unusual subject matter for a short comic, but the fact that it is using comics on a different theme from many I read is one of the things which interested me. The brevity means there's no time for much depth in the chosen examples, understandably – you could fill 10, 000 word essays on each of these areas easily (and for some of them I have, in a former life), but obviously Edward isn't trying to pretend he is giving you that. Rather he's picking out some major examples and citing some of the important writers in the field of film studies and, importantly, he concludes each chapter by listing both some relevant films and some of the authors and their books which he quotes from, so if you are a movie buff but haven't delved much into the academic study of the medium there are some good suggested examples of further reading should the comic inspire you (on a personal note I'd add Pam Cook's excellent The Cinema Book, published by the BFI, as a perfect general primer for anyone interested in learning more about film theory and studies). It's an interesting wee comic which I enjoyed; I don't think you have to have any familiarity with film studies to enjoy it though; in fact for those unfamiliar with the field but interested in cinema it probably functions nicely for introducing a few key ideas from the field that they can then follow up for themselves.

There you go and I didn't use the term 'intertextual' once and I have refrained from stroking my beard in a thoughtful manner while discoursing on postmodernism in cinema. You can check out more of Edward's work via his blog, where I see he is another of our comics community who is taking part in the Hundred Days project and posting up the results, so go check it out.


 
 

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letterpress and screenprinted zine about Pittsburgh

 
 

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via Etsy Shop for artnoose on 3/13/10


$3.00
Hey yinz!

I got my letterpress working here in Pittsburgh, but just enough to print the cover to Ker-bloom! #70. The insides are some comics I made about home-buying in the Iron City, and I screenprinted them in a variety of colors at Artist Imaging Resource, a non-profit art center on the North Side.

8 pages, 4.25x5.5" folded.

 
 

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Zine Value Packs!

Zine Clearance Sale!!!

Call for submissions: Fatphobia Zine

Sunday, April 4, 2010

handbound letterpress saint book

 
 

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via Etsy Shop for artnoose on 3/12/10


$25.00
This is a handbound book featuring letterpress printed depictions of the martyrdom of two saints, Crispin and Crispinian, who were brothers by the way.

The cover is letterpress printed onto linen. All materials, including the linen thread, are of archival quality. There are three methods of torture depicted with vellum overlays.

Approx. 5"x6". Numbered edition of 36 copies. One book in this edition was in a book arts show in Poland.

 
 

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The Rule Of Death Revisited – We Always Die At Noon

 
 

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The Rule Of Death issues 5 & 6

By Daniel Merlin Goodbrey and Douglas Noble

Self-Published

r5cov r6cov

I looked at Rule of Death last time with issues 1-4 and thought:

"For a book with a man refusing death Goodbrey is never short of a comedy one liner or two. And it's this refusal to let neither the macabre events or the ridiculousness of the situation get out of hand that sees Rule Of Death rise above what could have been a rather silly or a rather doom laden zombie tale and turn into something far, far better and wonderfully original."

Issues 5 & 6 of the print version of Goodbrey and Noble's Western Zombie Gunfighter saga (who better than a man who can't die to earn big money in gunfight betting?) just kept the whole thing going very satisfyingly indeed. Our dead man Pete Colby and his manager Murphy are in town for a series of gunfights under Pete's stage name of Slow Draw Pete McGraw, the slowest gunslinger in the old west.

And the entire thing kicks off brilliantly with a marvellous gag of all the gunfights being held at noon, no matter what time it really is. Complete with a man changing the gunfighting time on the special gunfighting clock:

r5ins1

(Well, what time would you put on a gunfight? From The Rule Of Death issue 5 by Goodbrey and Noble.)

Slow Draw Pete McGraw wins, as you might expect, since he can take a hit far better than his opponents. But the end is in sight for Pete, either from the mysterious figure hurtling towards them in a stagecoach murmuring "soon enough Pete Colby, soon enough" or maybe in the shape of the best gunslinger he's ever come up against. One way or another, the man who refused death has to eventually answer for his decision not to die.

There's much to enjoy in Rule Of Death, Goodbrey's writing is crisp and suspenseful throughout all the tense gunfighting scenes, something perfectly drawn by Noble to really play on the slow drawing out of the moment as the clock ticks on to the inevitable sound of gunfire and death. But on top of that there's the wicked sense of humour that keeps it all from becoming just another zombie western. Hold on, are there any other zombie westerns out there? If there are, this is by far the best of them, and if there's not, Rule Of Death is just a marvellously original, suspenseful, funny and entertaining first.

r5ins2

(Lovely art and suspenseful storytelling from the gunfight in Rule Of Death by Goodbrey and Noble)

The art in Rule Of Death has been taken directly from the b&w files, resulting in a very crisp and stark look to these two issues (something my crappy scanner is currently refusing to show). But, although I enjoy the crispness and stark contrasts I have to admit that I slightly preferred the darker, greying of the backgrounds when they were taken from the online coloured art in issues 1-4. Don't get me wrong, there's a lot about the crispness of the new comics I love, but the greying backgrounds gave the strip a much darker, disturbing, moody feel.

But that's probably something you need to work out for yourself. One thing is certain, Rule Of Death is a great story, and there's even a great cliffhanger to look forward to at the end of issue 6 that made me head online to see how cleverly and sweetly they resolved it (I wasn't disappointed). But being the luddite where it comes to reading online, I still prefer reading it in comics form, but should you wish the whole thing is in colour at Serializer.net.

Get in touch with either Noble or Goodbrey for copies. But whichever you choose, print or online, it's a great comic.

rulead.gif

Richard Bruton.


 
 

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The Things That Are & The Things That Will Be by Mae & Cheo!

 
 

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via Everyone's Blog Posts - We Make Zines by Mae Undead on 3/9/10



This is the first zine I've done in about two years and it's a split zine. It is seperated in two parts, my story first and then Cheo's. I write about my own existence and my conflicts with it. The writing isn't very definitive, everything is open ended and reaches to a conclusion of trying to be more capable and carry out existence.

excerpt: "I want a change to happen within the minute. Why do I lack this patience? Is that immense amount of technology booming? People are constantly on their cell phones, checking status messages, portable screens, media, and there is a lack of heart-to-heart conversations that isn't about being plastered to the floor by your drug of choice. The more I critique this, it seems that I'm guilty of this too. I'm guilty for blurring the lines of technology and reality for enjoying drugs to enhance my thoughts and actions, for wanting a quick fix."

The second part is called, "Moving Forward through Time and Space (Or How I got from point A to point B in only 34 Steps)" and Cheo seperated it into three parts, past, present and future, which describes his state of being during those times. Cheo manages to give you a taste of what his life means, how random everything seems to be and how he's viewed it in a few pages.

excerpt: "I am out here out of pure chance, in this life, on this planet. It's the tiniest rock. On this rock, I am alive and so are all of us, floating in space, taking life far too seriously because we can think. All this surrounding us in our consciousness, accepting information through our eyes and ears. It's an unusual thought but we are all just here taking the burden of life, being held down by gravity, inhaling all these toxins, staring at clouds, hoping there's a god that cares, slowly dying every day and then not existing. We will all die. It's all just one big random mess that we've been forced to deal with. If it's all I see and all that is, then why take it so seriously?"

The zine is illustrated by Cheo and inspired by conversations, space and existence.

$1.00 1/4 sized 22pgs

You can get it at Gimme Brains Distro or pay pal me 1.50 at youreinsanehoney at gmail dot com

 
 

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Frothy 3 and Undestructable 1/2

 
 

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via Reclusive Reviews by Persephone Pomegranate on 3/5/10

It's probably not obvious from the title but this is a review of one zine doubly named Frothy #3 and Undestructable #1/2, because it's a transition issue.

After two issues of Frothy, Hannah decided to change the name of the zine to Undestructable and implemented an extremely innovative way to transition from one zine title/direction to another.

Frothy 3 and Undestructable 1/2 is the story behind Hannah's reason for changing the name where she talks about her love of Gogol Bordello and explains her reasons for choosing their song Undestructable for the new name of her perzine.

I really enjoyed reading her reasons for the renaming, she's got a great personal writing style and I can't wait for the first official issue of Undestructable.


Filed under: Zine Reviews Tagged: perzine, review, zines

 
 

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Becan, Sarah

 
 

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via Optical Sloth by Whitey on 3/8/10

Website

The Complete Ouija Interviews

Huzzah for the existence of a complete Ouija Interviews!  In case you have any doubts about my lack of objectivity, there you go: I have none at all.  The odd thing is that I think Ouija as a whole is one of the bigger absurdities of life, and have seen it debunked in enough ways and by enough people not to place any stock in at at all as a real thing.  Still, these stories are a blast, and I'm never going to let a difference of opinion (or, well, fact) get in the way of my enjoyment of a good story.  I'm going to go ahead and assume that everybody reading this has already read the four issues of Ouija Interviews (listed below, and they're also for sale individually) and am instead going to answer the questions of everybody else reading this.  Why, if I've already read the four issues, would I want to get a collection?  Well, for one thing it's gorgeous.  That's always a plus.  There's an introduction by her brother, going into a bit more detail of how these stories came into being.  But the main thing is what all comics readers are after: more comics.  If this was a DVD set this would be the special edition, as each of the four stories (reprinted here in full) has a shorter, unrelated piece after it.  More ouija interviews, but these are short stories, sometimes focusing on a message that the "ghost" wanted to impart, sometimes sticking more with facts about the messenger.  There's also the fact that this is a measly $10, which is cheaper than getting the issues individually, so if you are one of the people who was waiting for an affordable collection before checking this out, now's your chance.  This was all made possible by a grant from the Xeric people, proving once again that they have a very good sense on who should be getting their money.  Now if I could only convince them to pass some around for websites about small press comics… $10

Ouija Interviews #1: Theo Wallis Now Available! $3.50

(To anybody reading these reviews in order, I read #3 first out of these). Sometimes when you go back to the early issues of a series you can see the rough patches that led to greater things. It's a bit unfair to call this one a "rough patch" as it's still entertaining and has a few great lines in it, but it's obvious that this concept for a story grew from here to become the greatness that is #3 (even though, at this moment, I haven't read #2 or 4 yet). There's nothing overtly awful about this issue, it's just that the questions stay pretty simple and there's not a whole lot to latch onto. Guy is killed by jealous wife but regrets nothing, it doesn't dig much deeper than that. Ok overall, and worth a look if you've read the other ones and want a whole set, but go for the later ones first.

Ouija Interviews #2: Chip Now Available! $3.50

It's tough to pick a favorite out of these four issues (and that's after Sarah had to win me over to begin with as I'm not a big fan of the ouija), but this one might take the cake. Am I allowed to have "co-favorites"? No, didn't think so. This is the story of Chip, a sassy dead man who enjoys very much having sex and his current reincarnated life as a strawberry. Yes, both at the same time. He is also very interested in the interviewers asking deeper questions, then seems to take delight in making jokes of the answers. Chip does, however, give us the meaning of life, and it's about as good an answer as I've seen anywhere else. This whole series (assuming that it's over) is a blast and should win awards in the comics world. Hell, maybe it even has, as I don't keep up on that sort of thing. Either way, check them out. These are some of those mythical books that you can show to people who don't read comics and win them over, and we all know how hard those are to come by…

Ouija Interview #3: Naomi Now Available! $3.50

Full disclosure here: I believe in Ouija boards working about as much as I believe in the average alien abduction. That is to say, not even a little unless I see proof of some kind. That being said, it didn't matter one bit because this was a great story. A group of people "called" on the board (sorry, no idea what the term is) and were answered by a dead young girl named Naomi. She died horribly and misses the boy she had a crush on at the time, who either died with her or is still alive, as she hasn't seen him. I have no idea of Sarah's artistic ability from this because it's just images of this dead girl in various poses, but she does a great job with the girl and the backgrounds, for whatever that's worth I don't think I'm adequately conveying what a blast this comic was, but it made me laugh a few times, and that's always a good thing. I have no idea on price, but let's say $3 at a guess, and the outside is creepily gorgeous.

Ouija Interviews #4: Mack, Agatha & Samantha Now Available! $4

I don't know if Sarah takes these "conversations" down verbatim as she has them, uses snippets and turns them into a coherent story or just makes the whole thing up, but it hardly matters when the story is this good. The group finds Mack, who is sad, lost and looking for his mother. While they're talking to him his sister Agatha comes into the conversation, and Mack says that he would be a lot happier if they could just find his mother. Mack asks them to find his sister Samantha, who might know more about the situation, and things get really odd from there. Yes, even more odd. This is a bit bigger than the other issues and it's nothing short of a thoroughly entertaining read. If this was all taken verbatim from a ouija session that must have been one creepy session…

Shuteye #1: Vea Now Available! $4

This is the last of Sarah's current list of books that I'm getting around to reviewing (just in case anybody comes here wondering how this all works chronologically, and it's a horrible mess that way, so please don't bother), and it's another impressive effort. It's about a man named Vea who deserts from a company of explorers in the Banda Oriental and his eventual time in an Indian camp. Vea spends a day with the Indians, only to wake up the next day to find that everybody has either vanished or changed significantly from the night before. This happens every day, no matter if he takes a wife the night before, fights in a battle, anything that happens is forgotten on a daily basis, to the point where Vea can't even remember the life he had before the village. His story becomes a legend around his old group of explorers, although no one knows how much of it is real, if any of it, or what really happened to Vea. This is based on a story from David Becan and it's a fascinating concept, although used in various forms in various other stories. It's done extremely well here and this one, along with pretty much any of her other books, is well worth checking out. $4

Shuteye #2: The Liar Now Available! $4

OK, I'm officially impressed. Look, I've been doing this site for almost five years now and reading minis for twice as long as that (or so), so seeing something that's genuinely different from the usual is always a thrill. This one is about a boy who's always travelling (and drunk, apparently) and his desire to fit in somewhere, anywhere… but also his inability to be honest to those around him or even to himself. In the end we're left wondering what of what we've just read is real and what isn't, but she manages to pull that off without ever seeming like a cliche hollywoodish twist ending. And if you think I'm telling you too much you may be right, but she says it right on the back of the comic so it can't be too much of a secret. It's probably still a bit too early to say for sure, but so far Sarah seems like a new, unique voice in the world of small press comics, and another one of those is always a good thing in my book.

Shuteye #3: Night and Day Now Available! $4

I've known about Sarah's work for right around a year now, and it already makes my day when I get a new comic from her in the mail. This is the story of a young couple who seem to completely love each other, but have to deal with roommates and their families not approving of their relationship for different reasons. They decide to take a long camping trip to get away from it all, and end up stumbling across a house in the middle of nowhere, and any more than that gives the whole thing away. This may (emphasis on the "may" here, as I like most of her stuff) be the best comic that Sarah has done yet. She sets up the difficulties of the relationship beautifully and deals with the awful truth of that house as honestly as possible. She also points out in the letter that came with this something I hadn't picked up on, that the end of every Shuteye focuses in on one person dreaming and that person carries on over to the next issue. Missed that one completely, probably because I've been reading these things months apart. Anyway, it looks gorgeous and has a great story. What more do you need? And I'm going to guess that this one is $4 too…

Shuteye #4: Carrefour Now Available! $4

Huzzah, this time around I was able to instantly catch the connection from the last issue to #4! It only took me 4 issues to figure all that out, I must be the smartest man alive. This is another solid issue in this series, a bit different this time out because the tone has changed to one of constant terror. The man from the last issue, J.P, wakes up to start things off this time around, happy that at least his last dream (issue #3) at least wasn't the recurring nightmare he's been having. In his nightmare he's being pursued by a creepy, bearded cajun guy (or maybe just a french guy) who seems to be out to do him harm. J.P. starts losing his grip on reality almost instantly, confusing his waking life with his images of the nightmare cajun, seeing him in his record shop, on the street, and accompanying J.P.'s girlfriend. Paranoia rarely leads to happy endings, but I'll say no more to avoid spoilers. Like I said, another solid issue and I'm looking forward to one day putting these all together and making sense of the whole thing. $4

The Monkeynauts Now Available! $3

OK, so monkeys as a theme for comics (or almost anything, really) is about as played out as it can get. Even I have to admit to being sick of seeing monkeys all over the place. That being said, reading this reminds me of why I liked monkeys so much to begin with: their adorable propensity to act like people. This is a brief history of monkeys in the various space programs, but mostly the ones here in the USA. Frankly, I thought it would be a lot more grim than what I saw; turns out most of the monkeys made it back safe and sound after all. This is a great overview of the whole time period seen in a completely different light, and she even manages to make the story entertaining when it could have easily been a cold collection of historical data. Fascinating stuff, and this is sure to restore your love of monkeys if it's been lessened by the recent barrage of monkeys…

Why We Call Them Robots Now Available! $3

First monkeys in space, then the origin of robots. It looks like these were the only two comics Sarah did in this format (these were done in 2002) but she could have kept this up forever as far as I'm concerned. This tells the story of the man (Karel Capek) who wrote a play about robots (after his brother Josef coined the term) in 1921 called Rossum's Universal Robots. The robots in this were organic and meant more as drones to do physical work. The message of the play was lost in the novelty of the concept of robots, and we all know where it went from here, as we sit at least a decade or so away from the inevitable robot armageddon. The rest of the comic is about the life of Karel Capek and how the Nobel Prize committee lacked the courage to give him the Prize for literature but they were afraid of offending Hitler. Odd thing to see written these days, huh? Anyway, it's a fascinating story and mostly new to me. If she ever wants to return to this format I'm all for it, but regardless if you check out this book you have an instant conversation starter for any occasion… $3


 
 

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Newsletter for March

 
 

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via Everyone's Blog Posts - We Make Zines by Ms Valerie Park Distro on 3/8/10

Hello and welcome to yet another month of the year. It's an early spring here in the northwest part of the U.S. and things are plugging away as usual here at Ms Valerie Park, plenty of newness and many exciting things on their way. The spring seems so ripe with projects, tours, and travel, that I doubt I'll get a proper night's sleep until the end of June, but I'd like to think I'm ok with that. Hope all you out there are doing just as fine (but hopefully getting more sleep). -JJ/MVP

New
Angry Violist #2 (Zine) ($2)
Bike Pad (Blank Book) ($3)
Blackberry Bushes Stringband- Crow (CD) ($15)
DIY Guide to Car Repair (Zine) ($3)
Foxdye Patch (Patch) ($3)
Nag Champa- Bone Rock EP (CD) ($9)
Resume of Charm Animals (Magnet Set) ($4)
Resume of Charm Dolls (Magnet Set) ($4)
VA- BRK: The Francophonic Show (CD) ($8)
VA- Spring Calendar Compilation (CD) ($3)
Woman on Bike (Blank Book) ($2)

Restocks
Criminal: Writings of Isabelle Eberhardt (Zine) ($3)
Foxdye- Robot Gold (CD) ($5)
Foxdye/Baron- Chopped n' Screwed Vol 1 (Tape) ($2)
Foxdye/Baron- Chopped n' Screwed Vol 2 (Tape) ($2)
Kendl- Still, Life (CD) ($10)
Kendl Winter- Apple Core (CD) ($10)
Lightbulb Graph Paper Notepad (Blank Book) ($4)
Southern Skies- Broken Down (CD) ($10)
VA- Biting on Ravecore (12") ($13)
VA- Summer Soul Vol 1 (Tape) ($3)
VA- Summer Soul Vol 2 (Tape) ($2)

Mp3's
Firs of Prey- Sooner Than Later (off Keep the Lions Asleep)
Foxdye- Tacompton MDMA Bootybang (Excited Mix) (off VA- Biting on Ravecore)
Kendl Winter- Cotton Skies (off Apple Core)
Myra Barnes- Message from the Soul Sisters (off VA- Summer Soul Vol 1)

News
*Apple Core, the latest album from Olympia's own Kendl Winter (The Pasties,
Blackberry Bushes, Kite, Southern Skies, etc) is going to be reissued
on K Records in October; on CD and vinyl! Very proud, indeed.
*Basic Paper Airplane #3 got a lovely review on the We love You So website (which, evidently, a ton of people read).
*On March 19th and 20th, the Olympia Timberland Library will be hosting the Art of the Small Press,
a two-day event of readings, sounds, paneling, tabling and more that we
will be taking part in. If you're in the area, come check it out.


 
 

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New additions to the Click Clack catalog!

 
 

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via Everyone's Blog Posts - We Make Zines by NicoleIntrovert on 3/7/10

New zines in the Click Clack Distro catalog - http://www.clickclackdistro.com

Some of the new zines in the Click Clack catalog: No More Coffee #1 & #2, Toothworm #4, Your Pretty Face is Going Straight to Hell #2, #4, #5, #7 & #8, Learning Good Consent, Mental Potential & Sweet Emotions, Sick, When Language Runs Dry #1 & The Worst
Also:

Asylum #1/High On Burning Photographs #5

This is a great split zine done between Matt and Ocean. This is a unique split due to the fact that Matt is currently incarcerated having met Ocean via a prisoner book program. He had written a delightful letter to the program which Ocean enjoyed so much that they became pals and thus a split zine ensued. Matt writes of a sick cellmate and how he basically became his caretaker, how he created a home in Folsom Prison, and his lack of parole plans. Ocean shares an amazing story of helping her employer attempt to recreate a Jackson Pollock painting, how she broke into her queer identity, and homesickness for NYC. Both zinesters share some books they have read recently as well.

Cipher #1

I love how this little pocket sized zine contains just about everything. It's really amazing what Chris fit into her first issue of Cipher. Perzine plus recipes plus Harry Potter plus language; it's all packed in this zine. Chris writes a "postmodern herbal" listing all of her favorite things and hobbies and what their healing properties are. I really loved the section she wrote about corduroy (yes, the fabric) and its linguistic origin. The zine wraps up with a critique on the lack of female presence in the Harry Potter series and how Chris is delving into the fan fiction of HP.

Doctrinal Expletives #5

This quarter-sized perzine by Helen in Maine is excellent. Doctrinal Expletives manages to pack so much variety into a zine without losing the reader. The first section deals with Helen's experience in getting an IUD as her method of birth control. We then get to meet the nerdy side of Helen as she explains her favorite heavy metal films, her love of history, and some badass females of the ancient world. This definitely got me excited to learn more about some of the awesome ladies who have made an impact on our world. Doctrinal Expletives #5 closes with a piece on friends & family in which she makes great points of communal living and pressure to bond further than she is comfortable. Very insightful.

Don't Be a Dick

This is a zine about stopping sexual violence and how men can play their part. Although, geared towards the hetero cis-gendered male, I think many different people can still learn from this zine. Paul, who authored this zine, writes about "rape culture", consent, pornography, and lists many great resources. I like how Paul speaks of the messages men get from society about intimacy with a woman and how he is working to reject them. Whereas I do not completely agree with the opinions about pornography objectifying women, I do see where he is coming from. Certainly there is pornography out there that does, but there is also more than just that type of erotic film out there. I still think this is a good read and resource for all.

Hello Alabama: A One Shot Disaster

Courtney of Muse zine moved from North Carolina to Alabama in order to attend grad school. This typewritten zine lays out the heartache she has experienced since her move. Being that her partner is from Alabama, she felt prepared in relocating since he would be with her. Culture shock set in quickly as Courtney realized that in her new town people would assume that she automatically shared the same values, attended church, and would be receptive to racist comments because she is white. Even a guest speaker shows how racism plays a part in this deep part of the south when Courtney learns he is from a nearby library system called, "Uncle Remus." The other thing that weighs on Courtney is having to stifle her pro-choice politics because of anti-choice terrorism that runs rampant in parts of Alabama. She also touches on greenwashing and recycling in this one shot zine. And to not have the zine finish on a bad note, there is a "cheer up" list at the end.

How To Guide on Starting a DIY Events Calendar

This is a great little guide on how to keep a calendar in your city or town for upcoming events. It begins by showing you how to start the calendar including where to find the events and how to put them down on paper. Images of some of the calendars from Pittsburgh & Ohio are included to give an idea of how this calendar/flyer can look. There are also tips on how to keep the project in action and how to distribute your completed calendars.

New To Everything #8

A great personal zine from Pittsburgh by a woman named Leanne. New To Everything #8 contains quaint stories of memories and observations. She starts off with breaking her fear of motorcycles ending up with her very own motorcycle license. Then, there is Leanne's love of Doo Wop music and the Sunday nite radio show which brought it to her. Tarot readings and a quarter life crisis follow. The writing in New To Everything is quick and detailed like good photographs.


 
 

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Friday, April 2, 2010

Terminal Myriad

The Terminal Myriad by Ryan Vella 36 pages, digest size, PO Box 6, Pleystowe QLD, 4741 grizzleguts@live.com

Somebody else who dropped out of comix for a while and recently dropped back in again is Ryan Vella. The Terminal Myriad is his first comic in four years. The title refers to 'the biggest and baddest game in the galaxy', where every year contestants from all over the universe meet on Earth in a gigantic fight to the death. These battles are all lovingly illustrated, and exquisite gore abounds. What I really liked was how each character that got introduced only managed to stay around for a few panels before they were unceremoniously dispatched by some obnoxious and gory means.

Review by Blackguard

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