Monday, July 20, 2015
I love you, Lieutenant #1-3
I love you, Lieutenant. #1-3 by Victoria Manifold.
A5, 16 pages photocopied. Free.
A sweet cut & paste fanzine in the true sense - one with a fanatical devotion to everyone's favourite US TV detective: Columbo*.
Readers of I love you, Lieutenant post answers about Columbo and Victoria Manifold tries to answer them: 'Is Columbo magic?', 'Is Columbo lonely?', 'What does Columbo look for in a sofa?'. Plus bonus Columbo related recipes, and gratuitous Columbo imagery. What is not to like.
You can get your hands on a copy by asking nicely:
Tweet @VManifold or email victoriamanifold@gmail.com
Visit victoriamanifold.tumblr.com for more of Victoria's interests and makings.
Review by Nathan Penlington
*(A side note is relevant here - I was a very sickly kid, and between the ages of 11 and 13 I spent a large portion of my time being unable to do much but watch daytime TV between hospital visits. In those days daytime telly in the UK mainly consisted of Neighbours, and reruns of defunct American detective shows: Kojak, Ironside, The Six Million Dollar Man, Hawaii Five-O, Cagney & Lacey, The Magician, and yes, the best of them all - Columbo. The result is I have absurd expectations about the people that live next door, a good knowledge of diverse crime techniques that don't work, and a fondness for the man in crumpled raincoat.)
Sunday, July 19, 2015
Merde In France
Merde In France - Raechel Leigh Carter
6 x 9 inches. 36 pages. Edition of 100.
£5
A very funny, smart and irreverent take on the language teaching genre. Merde in France uses pop culture icons of high and low esteem to link to French phrases via puns, wordplay and absurd cartoons. After reading this you'll be using Truman Capote and Happy Monday's Bez to woo your way to a Parisian romantic encounter, or Sean Penn to join the ranks of the existential. You'll not pass your high school exams with the phrases you'll learn, but you'll certainly make your next trip to France more interesting.
Buy here: http://www.Etsy.com/uk/shop/tinynoggin
And for more about Raechel visit: https://tinynoggin.wordpress.com
Friday, July 17, 2015
A High Degree
A High Degree - Elizabeth Maycox.
A5, 34 pages, full colour inserts. Edition of 50.
£4.50
A compelling literary confessional of loss and longing. With coloured photographs printed on handmade cotton paper ingeniously inserted to overlap and wraparound page edges. The start of each section is punctuated by sentences printed on contrasting paper, forming haiku-like prologues.
A compelling literary confessional of loss and longing. With coloured photographs printed on handmade cotton paper ingeniously inserted to overlap and wraparound page edges. The start of each section is punctuated by sentences printed on contrasting paper, forming haiku-like prologues.
The text follows the narrator's travels and remembrances via Aberdeen and India, a journey to forget and to find, backwards and forwards through romantic encounters and sexual liaisons.
"The way you smile when we're making love makes me sick. This is supposed to be an excorcism, not that donkey ride at Blackpool beach when you were seven years old wearing your sailor suit and screaming at jelly fish the size of your head".
It's serious and witty, tender and provocative. The cumulative effect is a poetic, sometimes unnerving, zine of subtle strength.
For more about Elizabeth's work visit: http://elizabethmaycox.co.uk
Review by Nathan Penlington
Thursday, July 16, 2015
ACE ZINE ARCHIVE
The folks at the Asexual Visibility and Education Network have started a zine archive.
The cataloging of zines is well organized, but the overall site/s is a bit confusing. They have both wordpress and tumblr pages and I went back and forth looking for the info I wanted.
Also, it appears the archive is simply a list of publications, not an actual collection of zines. The zines are not available to read on line, and there is no contact info given for ordering.
Still, it seems like a worthwhile project. I'm listing it in the Resources section.
http://www.asexuality.org/en/
https://acezinearchive.wordpress.com/
http://acezinearchive.tumblr.com/
ace.zine.archive / gmail.com
Wednesday, July 15, 2015
Radvocate # 13
The Radvocate # 13
79 pages, digest
$10 US
They grow up so fast. It seems like just yesterday we watched Matt's baby take it's first wobbly steps into the world. You blink, and suddenly they're all grown up. Not only is The Radvocate no longer a baby, I'm not sure we can even call it a zine anymore. Professionally bound with high octane prose, a slick cover, and complete with an ISNB number and bar code, this falls more into the literary journal category.
Gone are the little bits of combustible art filling the nooks and crannies. No more throw everything including the kitchen sink at it and see what sticks. Alas, we are left with a single pristine type font throughout it's entirety, a $10 price tag, and it's available on Amazon.
( I stand corrected. Matt says, "I'd still be up for trades, anytime." For that you can use the contact form on their blog: http://www.theradvocatemagazine.bigcartel.com/contact )
There are 34 pages of poetry. I don't do poetry. The 20 or so pages of micro-fiction are great. Really great. You don't usually see this caliber of writing in a $10 publication, zine or otherwise. The non-fiction piece is great. The 20 questions type interview with Henry Rollins is okay. The cover art is awesome.
If I spent $10 on this I wouldn't feel ripped off, and that's having not even looked at the poetry.
order:
http://www.amazon.com/s/ref=nb_sb_noss/182-7300032-9145350?url=search-alias%3Daps&field-keywords=the+radvocate
Web sites:
http://www.theradvocateisamagazine.com/
http://www.sosayweallonline.com/
Tuesday, July 14, 2015
Loose Meat Sandwich #1

Loose Meat Sandwich #1
This is a zine from creative collective Teflon Beast. In the intro it says the zine was inspired by reading My Own Mag - an experimental lit mag from the 60s which published the work of William S. Burroughs (amongst others). There isn't much content in this first issue - some experimental poems created using iPhone autocorrect and some brightly coloured illustrations of faces. There is also a playlist that accompanies the zine on the Teflon Beast bandcamp page that features an eclectic mix of bands and musicians. I'm afraid Loose Meat Sandwich has not won me over. The zine is a little bit too 'polished' for my taste and it seems to only exist in order to promote the music. If they go again for another issue I would like a little more meat in my sandwich.
order
Loose Meat Sandwich #1
review by Martin Applyby
reprinted with permission from
http://www.inpursuitofexpression.com/
Tags:
loose meat,
Martin Appleby,
Zine Reviews
Monday, July 13, 2015
This House Is Not A Landmark

This House Is Not A Landmark
I bought this zine from Sonya Cheney's brand new zine distro Nine Lives. It sounded like my cup of tea, and thankfully I was right. It is a split between Jesse Grease (Windmill zine) and Rust Belt Jessie (Reckless Chants zine) on the theme of houses. Each writer shares little vignettes of houses they have lived in, visited, partied at, watched bands play at, etc. The underlying narrative is that none of these 'houses' were never quite 'homes'. Each story is deeply personal and wonderfully written. Finding little gems like this is why I love zines and if you're into punk culture or even just honest, confessional writing, then I recommend this one highly.
order
This House Is Not A Landmark
review by Martin Appleby
reprinted with permission from
http://www.inpursuitofexpression.com/
Tags:
house,
landmark,
Martin Appleby,
Zine Reviews
Sunday, July 12, 2015
Wonderlust Literary Zine #2

Wonderlust is the name of the zine and also the theme of each issue (the desire to be in a constant state of wonder), it contains poetry, short stories and has a fantastic comic strip to close the show as well. It makes me really proud to say that PAPER AND INK partially inspired the creation of this zine. Even if the zine sucked, it's a huge compliment. However, this zine does not suck, far from it. I was massively impressed with the first issue and this second one blows it out of the water. I can't wait to see what editor Sonya Cheney comes up with for the third issue.
Wonderlust Literary Zine #2
Review by Martin Appleby
reprinted with permission from
http://www.inpursuitofexpression.com/
Tags:
literary,
Martin Appleby,
wonderlust,
Zine Reviews
Saturday, July 11, 2015
Ginger Binge
Ginger Binge
36 pages, mini
$4 US
Annie Soga reviews 24 brands of ginger beer and ginger ale, along with a well researched history of these fizzy beverages. Each review comes with a hand drawn image of the item. There are some cocktail recipes, a bibliography, and a short list of medicinal uses.
Tan card stock cover, overal proffesionally produced apearence, nice artwork throughout. Would be appreciated by foodies, or anyone with an interest in ginger and ginger products. Price is reasonable.
https://www.etsy.com/listing/232491374/ginger-binge-zine-by-annie-soga
Review by Jack Cheiky
Tags:
drink,
food,
ginger,
Jack Cheiky,
soga,
Staff Reviews,
Zine Reviews
Wednesday, July 8, 2015
Phases of the Moon #5
"Phases of the Moon #5
is a book-length zine by Stacey-Marie about being in a relationship
with an abusive alcoholic. A young woman in a relationship with an
abusive alcoholic man."
It's really beautiful. It's disturbing, smart, and good. The writing is fantastic.
It's memoir with interspersed quotes from other texts. I preferred
Stacey-Marie's words to the quotes, but I did value some quotes that
explained abuse bonding. They were insightful.
I grew up as a child of an alcoholic--I am familiar with alcoholism from
a child's perspective. I never thought about my mom's perspective very
deeply--I didn't dare.
So this zine was triggering for me. Just when I thought the story
couldn't get any more disturbing, it did. Around page 50, I felt sick.
Around page 80, I told Ming, "This zine is killing me."
(We were walking down the street, walking through sunlight, away from
the cafe where I'd been reading. I felt stuck in a nightmare,
disoriented, and unwell. But good writing can do that to me...)
And the ending is worth it. And I could relate to the speaker a lot.
These are two quotes I loved from toward the end, ideas I've thought
about over and over, through the years.
Was that my true self? What does a "true self" even mean if we can so easily change based on our surrounding environment?
and
I felt like if I accepted the disease model of alcoholism, then I
would have to accept that all the fucked-up behaviors resulting from
addiction were merely symptoms of a impersonal disease.
I noticed some repetition in the storytelling, but it seemed okay there--the repetition worked--that's how we think.
It's text-heavy but there's some visual art that definitely adds to the experience.
Overall I loved this zine and recommend it to anyone who's strong enough
to read about abuse. And I wish Stacey-Marie lots of readers and
success.
https://www.etsy.com/shop/Selenographie
Review by Laura-Marie
Tuesday, July 7, 2015
Yoko Ono Zine
Yoko Ono Zine
24 pages (including front / back covers)
digest size, all art-quality card stock
$15.00
This may be the most perfect zine I've every held.
(Admittedly I'm Biased. I am a huge Yoko Ono fan. No other artist has influenced me as much as she has.)
Inside the thick yellow envelope there is a little bundle tied up with brown twine. It's a lovely package in any context, but especially delightful to me as I am reminded of some lines from Grapefruit, (TAPE PIECE III,) about wrapping gifts.
The package contains a lovely business card, a little piece of art sealed in plastic, and the zine, wrapped in brown paper. I do not know if this package is the way LOSTBOY always sends their zine out, or if this was specifically for me because of our shared love for Yoko. So, I'll just concentrate on the zine itself.
The entire inside 20 pages is card stock, off white. The cover is heavier card stock, brown. The front cover has a circle cut out. The art on the first page combines with the art on the front cover to make the cover people see when they first look at it. The spine is finely stitched, and the title information is stitched inside the back cover.
The art inside is amazing. Some of the drawings have Yoko quotes incorporated. There is a balance of simplicity and complexity. At first glance somewhat whimsical, but with a minute attention to detail. Line drawings mostly. A hint of the zen tangle style. Figure drawing. Abstract. Graphic design. Conceptual.
The first time through is slightly rushed, I'm eagerly drawn to see what's on the next page. Getting to the end is almost a relief, now I can go back through and spent time with each image. Let the eye wander and linger. Soak it in.
I'm mesmerized, and at a certain point I realize I'm on the verge of weeping. I cry all the time, so that's not unusual, but I can't remember the last time a work of art caused such an emotional response. I think it's a combination of the overall loveliness of the work, a sense of the devotion the artist poured into it, and nostalgia for that time in my life when Yoko and others were beacons to my lost and wandering young self, and finally, knowing that new generations of young artists are still discovering and being influenced by Yoko.
An absolute treasure.
Order:
Web site:
Review by Jack Cheiky
Tags:
Art,
Art Books,
Asain,
Lostboy,
Queer,
Staff Reviews,
Yoko Ono,
Zine Reviews
Monday, July 6, 2015
On Reflection
On Reflection by A J Poyiadgi.
2013.
11.8cm x 18cm, six pages colour printed on a continuous strip concertina folded.
£4
Yet another interested work from A J Poyiadgi (see my last post post on the origami comic) - this time a cautionary tale of overcoming loneliness by becoming friends with your own reflection.
It’s evocatively drawn, the mirrored guy also speaks in mirrored language, so you’ll need a reflective surface if you’re not fluent in backwards.
I love the attention to detail of the line drawing on the bellyband too.
For more information and to buy a copy visit ajpoyiadgi.com
Review by Nathan Penlington
(This post was originally part of an ongoing series celebrating work from my zine collection. You can find the rest of the posts here)
Friday, July 3, 2015
Stratu's Diary Comix - 2015 (monthly)
Stratu's Diary Comix
8 pages, full size
$3.50 per issue in Australia
$5.00 per issue World Wide
accepts trades
Stuart Stratu is one of our reviewers, and the man behind the Blackguard comix series. Every day in 2015, Stratu is chronicling his life with a three frame comic.
I thoroughly enjoyed reading these. Though we've known each other peripherally through zines and comics for some time now, I really knew very little about him. I feel like I know him much better now, and that's a good thing because he is interesting and likable.
Beer is a steady theme throughout. His father has Altheimer's and Stu visits him frequently and takes him places, taking it in stride and keeping a sense of humor. He obsesses over job opertunities and gets letters from prisoners. I thought it was funny when someone had an "American" themed party where they had hot dogs and hamburgers.
Totally worth it.
Stratu
PO Box 35
Marrickville NSW 2204
AUSTRALIA
Review by Jack Cheiky
Origami Comic

Origami Comic. A J Poyiadgi. 2013.
Colour printed A5 sheet. £3.
Another unique form and interactive storytelling device. Designed to be cut and folded to form a 7cm square. Once folded the reader moves the flaps to alter the image segments and with it the fate of the two protagonists. Melancholy origami.
A J Poyiadgi is interested in other forms of alternative storytelling - he's made other unique comics in unusual formats that I hope to review in future posts.
For more about the artist, or to buy your own Origami Comic visit: ajpoyiadgi.com
Review by Nathan Penlington
Review by Nathan Penlington
(This post was originally part of an ongoing series celebrating work from my zine collection. You can find the rest of the posts here)
Wednesday, July 1, 2015
Nightclub Yes/Nightclub No
Nightclub Yes/Nightclub No.
Jeremy Dixon, 2013, Hazard Press.
A7. 2, or rather ‘4’, pages. £4.
…you decide which side to open, and which version of the text you want to read.
This kind of binding was, in my childhood, used in what was called a Milkman’s Wallet. Now, that makes me sound like a child of the 70s.
This kind of binding was, in my childhood, used in what was called a Milkman’s Wallet. Now, that makes me sound like a child of the 70s.
To buy a copy, or check out more work by Hazard Press, visit: hazardpress.co.uk
Review by Nathan Penlington
Review by Nathan Penlington
(This post was originally part of an ongoing series celebrating work from my zine collection. You can find the rest of the posts here)
Monday, June 29, 2015
Exquisite Corpse 1
Exquisite Corpse Vol 1. 2014.
Marie Callum, Jessica Halmshaw, Heeseon Kim, Hamish Steele, Melissa Trender, James Turzynki.
A5, 24 colour pages. £3.
The infamous surrealist game gets a graphic novel make over in this collaborative comic project. The rules: ‘No comic page is written by a single artist. We each have 20 minutes to complete as much of the story as we like, and after our time is up we pass the narrative to our right’.
Does it work? Well in a traditional narrative sense, not generally, no. But the contrasting styles of art, and the dramatic shifts in the stories keeps the work fresh.
You can buy this zine, and find more work by the collaborators here: leadache.com/comics
Review by Nathan Penlington
Review by Nathan Penlington
(This post was originally part of an ongoing series celebrating work from my zine collection. You can find the rest of the posts here)
Thursday, June 25, 2015
Bad Therapy/Rad Therapy
Bad Therapy / Rad Therapy. 2014 Rudy Loewe. A6 zine, folded from double sided A3 sheet. £3.
A clever use of a standard zine fold (a central slit allows you to fold a piece of paper into a booklet without staples or other binding). The double sided nature allows the reader to transform the experience of bad therapy into rad therapy…
…by turning the zine inside out, mirroring how you have to reframe life, and sometimes try over to find the perfect therapist to help you through your circumstances. Well drawn and nicely produced.
You can get your hands on a copy of Bad Therapy / Rad Therapy at Rudy Loewe’s Etsy store.
Review by Nathan Penlington
Review by Nathan Penlington
(This post was originally part of an ongoing series celebrating work from my zine collection. You can find the rest of the posts here)
Tuesday, June 23, 2015
This is Bullshit.
This is Bullshit.
18 pages, full size
$2
Minimalist. Primitive. Bizarre.
I'll let you decide if that's good or bad.
http://anisocoriac.storenvy.com/products/467317-this-is-bullshit-zine
Review by Jack Cheiky
18 pages, full size
$2
Minimalist. Primitive. Bizarre.
I'll let you decide if that's good or bad.
http://anisocoriac.storenvy.com/products/467317-this-is-bullshit-zine
Review by Jack Cheiky
Tags:
Bullshit,
Jack Cheiky,
Staff Reviews,
Zine Reviews
Underdog
Underdog - Number Five. 1964. Edited by Brian Patten. A5 booklet, 22 printed pages, cardboard cover.
Underdog - 8. 1966. Edited by Brian Patten. A5 booklet, 22 printed pages, cardboard cover.
In 1965 poet Allen Ginsberg, figurehead of the American Beat scene, declared Liverpool to be “at the present moment, the centre of consciousness of the human universe”.
Ginsberg was right. 60s Liverpool wasn’t all about The Beatles, or Mersey Beat bands, but also poets. Roger McGough, Brian Patten and Adrian Henri - known collectively as The Liverpool Poets - first came to the attention of a wider public in 1967 with the publication of Penguin Modern Poets 10: The Mersey Sound - which to date has sold over 500,000 copies, a rare feat for a poetry anthology.
Long before that they were producing live events, readings and art happenings in the pubs and clubs of the city. In 1962 Brian Patten, then just only 16, started to capture the essence of these events in his zine Underdog.
Underdog is a record of its time - a poetry rooted in place, and pop - and of a scene. They contain early versions of poems that later McGough, Patten and Henri would become famous for; work by British beat troubadours Pete Brown and Spike Hawkings; the incomparable Adrian Mitchell (who stole the show at the infamous 1965 poetry incarnation at the Albert Hall); and reaching out to the USA - later issues also include Robert Creeley and granddaddy beat Allen Ginsberg.
The lesson is you never know what will become of anyone who makes a zine, or whose work it captures. Also, if you ask for submissions in the right way, you never know who might say yes.
Review by Nathan Penlington
Review by Nathan Penlington
(This post was originally part of an ongoing series celebrating work from my zine collection. You can find the rest of the posts here)
Monday, June 22, 2015
...Rising #64 (June 2015)
…Rising. Edited by Tim Wells. A5, photocopied, coloured cardboard cover up to Issue 27, paper covers to present. Page length varies, average 28 pages. Free.
Rising was started back in 1994 by poet, performer and raconteur Tim Wells because, in his words, “there wasn’t enough of the kind of poetry I liked in print. Back then it was a paper, scissors and glue endeavour. It wasn’t until issue 21 that I got a computer, and even later ‘til I learned how to use it badly”.
The poetry of Rising is a fighting mix of bawdy, literary, and culturally diverse inspiration which is reflected in its visual elements which are taken from Kung-fu films, westerns, cute girls holding books, northern soul singers, Planet of the Apes, 60′s films stars, Hemingway, late night pub lock-ins, Elvis, war films, and Joan Collins. To confuse the librarians every issue is produced in the same format, but takes a new title i.e. Bad Moon Rising, Wang Dang Rising, Whole Lotta Rising.
I met Tim in 1995, two weeks after I first moved to London. It was only my second outing to a poetry event (the first was a terrible visit to a writer’s group whose members were perturbed by the fact the room they met in was above a topless bar - but that’s a story for another post), and to a teenager new to London, the shouting, banging, raucous poetry of The Hard Edge Club was an embracing hammer to the head. It was here Tim first thrust a copy of Rising into my hands, an event that has been replicated since then with unerring regularity (Maybe that is a topic for further study, how makers of anything, not just zines, distribute their own work - from the ‘stand back and let it distribute itself’ approach all the way to aggressive insistence. Tim’s is a firm take it or leave it).
The latest issue, number 64, is a Ranting poetry special. Tim is currently researching the history and influence of 80′s Ranting poetry, and how that history is reflected and captured by its zines, badges, and other ephemera. There is a touring exhibition of ranting zines, and a programme of accompanying events, this latest issue of Rising reprints some of the early to mid -eighties work of Seething Wells, Michael Smith, Phill Jupitus (when he was Porky the Poet), and Joolz to name only a handful of the contributors.
Rising is now London’s longest running poetry zine - by that I mean a zine that has stayed true to its roots and not attempted to ‘upgrade’ to magazine status. Its contents are also a history of the London poetry scene of the last twenty years, a Who’s Who of poets and performers that have helped build the vibrant and healthy scene it is today. Rising’s real strength though is not just longevity but an insistence on quality work largely ignored by other publications.
There is one way to find out what I mean - if you see Tim at an event ask him for a copy, tell him I sent you.
Click here for the Stand Up & Spit site or tweet Tim here to haggle for a copy of Rising.
(A version of this post originally appeared as part of an ongoing series celebrating work from my zine collection. You can find the rest of the posts here)
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