zine, [zeen] noun. 1. abbr. of fanzine; 2. any amateurly-published periodical. Oxford Reference

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Thursday, November 27, 2008

Wonka Vision #24



 
 

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via (title unknown) by admin on 10/30/08

This go around has Wonka Vision with a much larger selection of full-color pages, as well as a higher number of advertisements to go along with them. This time, the issue has a cover article about Florida's Against Me, which doesn't go as far into the band as it could possibly be, reading more like [...]

 
 

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Afro Samurai Volume 1



 
 

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via Comics Village Reviews by John Thomas on 10/30/08

The style carries this modern samurai revenge tale further than the substance, but this violent story literally splattered in red ink is very stimulating.

 
 

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WIGU The Case of Mars



 
 

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via Comics Village Reviews by Conor Carton on 10/29/08

Funny, sarcastic and smart, a little bundle of comics joy

 
 

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Wonkavision #23



 
 

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via (title unknown) by admin on 10/29/08

While the previous two issues showed an upward trend in quality and interesting articles, this issue of Wonkavision just feels like a miss to me. We notice some color pages (8 to be exact) in this issue, but a total of seven do not have any content on them, either being ads for Wonkavision itself [...]

 
 

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Kurosagi Corpse Delivery Service Volume 7



 
 

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via Comics Village Reviews by Charles Tan on 10/29/08

A compelling self-contained volume that starts to evolve and grow beyond its existing formula.

 
 

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Friday, November 14, 2008

Maynard reviews a bunch of zines



 
 

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via Xerography Debt by noreply@blogger.com (librarian666) on 10/15/08

Dwelling Portably 1980-89
Edited by Bert and Holly Davis
ISBN 978-1-934620-08-3
Retail: $8
Paperback ½ size, 178 p.
microcosm.com

With the imminent collapse of the Western financial world looming, we all need a copy of this resource favored by hikers, campers, hobos, dumpster diving hipsters, and armchair travelers.

This zine is what MacGyver would read on his day off. Need to make a knife holster out of scrap leather? Get some sketches. Hypothermia worries? Gotcha covered. Need a review of Primitive Life Skills video? (Where can I get a copy on DVD?) It's in there. From building a fire to pest prevention to waterproofing matches, improve your current hobo lifestyle or prep for doomsday with this handy book.

3-2-2-1
Pod Post
P.O. Box 170271
San Francisco, CA 94122
$5.00 US, $6.00 world
No trades
4.25" X 5.5"
Email contact: mail@podpodpost.com
Website: podpodpost.com

Library geeks, and any other folks pondering the meaning of our disposable, isolating culture, will love this sophisticated, extremely appealing zine. It's scrap-booky in feel, but slick in production values. Layout is really tight, well done, and engaging. The content is self-questioning and a thinking-person's eye candy.

Split Zine:
I'd start a revolution but I don't have time by Jolie Noggle
Riot Grrrl by Hannah Neurotica
Jolie Noggle
655 Martin St.
Greenville, OH 45331
No Price given
½ size
Email contact: mrsnoggle@yahoo.com

Back to the old, tried and true, copy-machine-generated, angst-filled collection of essays on being a girl, liking music and the whole She-Power of the late 90s and early 2000s. It is amazing how much has changed in just a few years! But it is fun; full of heart and spunk; and takes you back nearly a decade.

Inner Swine, Vol. 14, issue 2, June 2008
Jeff Somers
Subscribe for only $5.00 per year in the US, $6.00 in Canada
Trades considered.
½ size, 60 p.
P.O. 3024
Hoboken, NJ 07030
Email contact: mreditor@innerswine.com

Well, what more can I say about the Inner Swine: a veritable institution of zineland, with the focus being on what it means to be a guy. This issue is true to form, and my favorite bit is the Refusal to Twitter. In this hilarious commentary on the egotism involved in the whole Twitter movement, I found myself in total agreement (once again) with Jeff and his near-Luddite view of the whole technology-driven social scene and how it continuously erodes our humanity and communication abilities with each new "breakthrough."

A sad note, please send Jeff encouraging email as he noted he feels kind of tapped out with the whole zine thing. His next issue is called No Future. He has covered a LOT of ground in the 200 years he's been writing, and it's only natural to do a "best-of" issue. Let's hope that he'll sharpen the saw, do some sort of retreat and recharge the creative battery. He didn't actually say he was tapped out, but with a title like No Future, what other conclusions can one jump to?

The CIA makes Science Fiction Unexciting #5: the things you may not know about Iran/Contra
No name given
$1.50 postage paid
Microcosm Publishing
222 S. Rogers St.
Bloomington, IN 47404

This little zine is for a conspiracy theorist with only minutes to live or with ADHD. The author has a gift for summary that is astounding. You'll read this and feel like you actually understand the Iran/Contra affair. In this day and age, it is both enlightening and depressing to see that our government has been remarkably consistent: bad for years.

The author goes into the history of our meddling in oil-related foreign affairs, which started innocently enough at the end of WWII, when we were the last English-speaking empire standing. It pretty much goes downhill from there. As time passes, it becomes less obvious when we are aiding friends across the sea and when we are bungling in the jungle or desert.

In order to continue this meddling once it gets on a scale large enough to be detected by the press, our gummint decides to tamper with the Constitution. Iran/Contra was a glaring example of how the folks in charge clearly ignored the foundation of what makes this country tick. Their violations, and the lack of repercussions for the transgressors haunt us to this day.

The founding Fathers would be absolutely furious if they could see us now.

 
 

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Mrs Noggle 14



 
 

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via Zine Writers Guild by Mrs. Noggle on 10/15/08


Mrs Noggle 14 is out!



it's the addiction issue.
get it on Etsy.
buy it
or please email me if you would like to do a trade!!
thanks!!!!


 
 

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Saturday, November 8, 2008

Fw: I am a Camera #12


 
 

via Zine Classifieds by admin on 10/21/08

Vanessa Berry
Sydney

Australia


http://farm3.static.flickr.com/2285/2452850717_b83b8c9511.jpg


I've been making a zine called "I am a Camera" for nine years now. Nine years, twelve zines. Each one is a particular event, my life at that time. #12 contains stories about Halloween, sad songs, secondhand objects, love and lust, empty buildings, and full rooms. They are autobiographical, to varying extents. That is, they are real life written like fiction. It's 44 pages long, A5, with a gocco printed cover and a colour centrefold. If you'd like to order one, send $7 to:


Po Box 1879
Strawberry Hills NSW 2012
Australia
or you can send me money via paypal,
howodd at ihug dot com dot au.

 
 

Wednesday, November 5, 2008

Air Gear Volume 9


 
 

via Comics Village Reviews by Dan Polley on 10/6/08

Lots of action, but also enough character development to keep the series moving.

 
 

The Cheese Stands Alone




A new POST has been created by CarolineTigeress on Indy Media Reviews - you can view this POST using the following link:

http://www.indymediareviews.com/zine-review-the-cheese-stands-alone/


Zine Review - The Cheese Stands Alone

November 5th 2008 16:45


Franco's perzine looks like a photo-rich layout of his personal journal, his adventures and missteps. It's actually a bit deeper than that, as he's organized it into stories, which give it a nice litzine taste. In, "One Weekend" we learn how not planning something leads to a perfect circumstance, although there is an aftermath, but it's up to the reader whether or not to read it, for it is clearly delineated. A series of shorter episodes follow, "Hallmark can wipe my ass", "This is how it's done" followed by, "While I eat my Chicken". There are many, many more stories like these. My personal favorite is the EDS Work Journal – this piece of prose is pretty meaty, giving us lots of tasty tidbits about Franco's work like. He ends with a nifty two-page piece cut & pasted on music sheets, "Do you really care what I listened to while putting this together?" Neat little per/litzine, and I'm looking forward to Number Two. Tastes like: Brie.

Fw: Twenty-Eight Pages Lovingly Bound With Twine #8


 
 

via (title unknown) by admin on 10/5/08

After not hearing anything about 28PLBWT for quite a few months, I got a package in the mail from Christoph, which included this issue of the zine. Overall, I would have to say that #8 really even tops #7, in the quality and interest level of the pieces that were in this issue. One thing [...]

 
 

Sunday, November 2, 2008

Tristess 1 & 2 (Sweden , 1979, 1980)



 
 

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via punks is hippies - the blog! by Slobodan Burgher on 10/6/08



Another fanzine from Mikael Sorling's Turist i Tillvaron blog. As usual the following is my translation and reworking of his original Swedish post:

"Rumour has it Peter Kagerland is writing a book about punk. In 1979 he published the first faninze in Linköping, Sweden, called Tristess. The first issue had among others IQ 55, Stoodes, Blitzen and Ras. Peter's reviews looked at Bitch Boys, PF Commando and Massmedia. Liket Levers classic 7" "Levande begravd" is described as "quite good" while Angelic Upstarts 7" "I'm an upstart" is "one of the best singles I ever heard". To read the many concert reports / reviews is probably the best. Issue two came out the following year and had even sharper contents: Spy, Åke och Bakgrundsfigurerna, Nasty Boys, Ramblers, Mackt and Zpamhead."

Direct link download.

 
 

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In case you're interested in getting involved, here's IU's press release:

So, I'd like to ask for everyone's participation in rallying together to
start a ZINE.   A recent acquisition has brought us the capabilities and
we'd like to turn to you all for content.  What are we looking for??
Mainly this:

- A NAME FOR THE ZINE!!
- Review Ithaca Underground shows: lets start letting others know what
they're missing out on.
- Album reviews: review albums on artists that will be playing Ithaca soon
or artists you favor
- Poetry/Essay/Written work: Political, social commentary, creative works,
manifestos, etc etc.  Pretty open to view points but leaning towards
independent thought, do it your self and freedom from traditional press.
- Suggestions on sustainable living
- Stories from "the old school": some of you on this list may take offence
to the term but I know we have some on this list that were involved in the
early punk scenes and we'd love to hear your stories from the days of
yore.
- Artwork!!  Small to large, for use in full page or just sporadically
placed throughout.
- Other stuff we haven't thought of

Please submit by Nov 21 so we may have it ready to promote our shows in
December.

Cometbus #51 Recounts History of Moe’s and the Ave

Cometbus #51 Recounts History of Moe's and the Ave.

By Ken Bullock
Thursday October 30, 2008

"Once upon a time in Berkeley, two incredibly stubborn men decided to go into business together." So begins Cometbus #51, The Loneliness of the Electric Menorah, opening like a fractured—or fractious—fairy tale with a title in hipster kabbalah tacked on.

What follows, spinning out for almost 100 pages, is an ambling narrative that proves to be a combined oral history (as related by its raconteurish collector and author) of, and bittersweet love letter to, Telegraph Avenue—at a moment, a very long moment, when hardly anybody else has a good word to say about it, at least in public.

The lens—or should I say perspective?—for this curious piece, at once ambitious and modest, takes as its focal point the break-up of the doomed partnership touted above, between Moe Moskowitz and Bill Cartwright for the founding of Rambam bookstore in 1963, and telescopes out from there, in time and (mostly) down the line of sight of The Ave. between Dwight and Bancroft, showing the evolution of this fabled and decried neighborhood through the generation of newer and often innovative enterprises—bookstores, poster shops, underground comix publishers, used record emporia and pizza "parlors" (more like dens) alike—that descended from the chaotic primal scene, the Big Bang of break-up on Telegraph.

Cometbus goes back to that crucial moment via the reminiscences of its principals, verses 2 and 3 of chapter "Rambam," the Genesis of this Telegraphic screed:

"Morris 'Moe' Moskowitz later de-scribed it as 'one of my briefer, poorer partnerships.'"

Bill Cartwright said, "I'd just as soon not talk about it."

(Somehow, mixing Scriptural and Darwinian similes seems just right—perfectly outlandish, that is—for the tribal procession named and enumerated that trooped in and out of Moe's doors, up and down the sidewalk, through changing times and finally into the prose of Cometbus.)

The successive foundation of Moe's Books (and Cody's), of Shakespeare and Co., the (Re)Print Mint, Shamballah, Lhasa Karnak Herb Co., Black Oak Books, Berrigan and Brown's jazz records (to name a couple of off-Ave. spinoffs), Rasputin's Records, Leopold's, Amoeba, Blondie's Pizza ... and the tag teams of proprietorship, from founder to employee (or the miniature Pandemonia created when rebel angels were expelled and took up their stock-in-trade a few doors or blocks away), is told of with a reasonable alacrity, which touches on (rather than dwells in) acrimony, coming across with a few funny impressions, expressions and obsessive digressions—nothing unusual, as it comes itself from the impressionistic, expressionistic and completely digressive streetlife that is the water these fishes sport in.

Perhaps the biggest obsessive digression is a kind of shaggy dog story in homage to the SLA, a shaggy tale indeed for those who recall that gang's trumped-up start as the subject of surveillence of prisoners in the state pen and the women who wrote to them.

The wryest impression, at least for booksellers and bibliophiles, past and present, is the sanguine description of the various figures of this history, black and white and red all over, like the old Hearst papers, physiognomies rendered either glowingly or gloomily. (One lifelong veteran of the scene intoned, "It makes Fred Cody seem like he was just some capitalist!")

These takes will be argued over well into tomorrow, I'm sure, grist for the mill of Telegraph gossip. But that's where the author went to refine his his own thoughts. If it came out as a course meal, maybe that's what our daily bread is made of.

More apropos to its point of view, sometimes the telling of the tale seems to jump off the tracks and into personal outburst or sour grapes. But the author's trying to speak both for himself and his generation. When one shop proprietor puts him off by snapping that he doesn't care about the past, the previously whimsical folklorist buckles. "Maybe even a refreshing sentiment from someone of a generation so consumed in nostalgia and their own legend ... [with] a future, a stage, real estate. For the rest of us, the only thing we'll ever own—especially on the Ave.—is our stories ... it [has] been a lifetime of dealing with these smug, self-centered hippie entrepreneurs ... I thought, 'There was a reason for punk, and you are it.'"

He goes on: "The bookstores whose story I was trying to tell had never been welcoming when I tried to tell mine—Cody's had refused to even consign Cometbus for the first sixteen years, Shakespeare & Co. the first eighteen, and Moe's the first twenty-five."

Cometbus is named after its eponymous founder Aaron, nee Elliott—or isit the other way around? Drummer, lyricist, "punk anthropolgist," Aaron was born not long after New Year's '68, and started his 'zine at 13. "I publish because I don't know anything else. I grew up with it," he said at 27, and: "As you get older, you realize punk is folklore and oral tradition and myths. I went from that to writing about people's lives, but I still see the zine as a part of a looseknit community."

His genial note to The Planet with a review copy: "Perhaps you'll find it newsworthy ... Thanks—from one local paper to another."

This engaging issue's decorated with stencil art by Caroline Paquita and retails for $3.

The round-about sketch of The Ave's equally elliptical history returns to Moe for the final word:

"I like this street," he said, "Even though it makes me sad."
 

ZAP TOWN

How It All Began

By andrewduncan • Oct 30th, 2008 • Category: Categories, Lead Story

In developing the site that has become ZapTown, it has made us go back and think about how we got started in the first place and the creation of Movements, the early '90s, and what alternative publications were all about at the time. Looking at this circle has made us get back to the basics of what alternative publications were all about.

Not long ago, I came across Tad Suiter's article on EduPunk and the zine movement as substance and aesthetic (http://leisurelyhistorian.net/edupunk-aesthetic/), as he digs into the true essence of the zine revolution. "Zines were always the best embodiment of the DIY ethos of punk, because they had the lowest barriers to entrance. All you really needed was a pen, access to a photocopier, and a stapler, and you could be a zine publisher."

It was this idea that really made creating a zine very attractive. We had no clue what we were doing at first, but that did not stop us from doing something that became a part of our psyche.

I had worked with Phil Yeary of Nightmare Images through high school and helped supply the sceneries and props for the city's haunted houses. One day, while hanging out amongst the dangling latex bodies and ghoulish props, we were going through a pile of zines that graced his mailbox. Names like Coroner's Report, Metal something-or-another and Gothic this-and-that littered the pile. I had been a casual admirer of zines like say the grainy black and white newsprint of Maximum Rock 'n' Roll, the punk dream of Flipside, or the local skate rag Sty Zine.

So we started talking about making one ourselves. Not that we would do better than the zine bestsellers like the Motorbootys, the Cometbus's, or the Pop Smears, but I feel that we had some grandiose ideas that carried through to the final product, typos and all. Enlisting Yuri Duncan for his artwork, we became the triad that would give birth to Movements.

In August 1993, the zine revolution was at its apex. The underground became the mainstream and anyone who had an idea and access to Kinkos was creating a zine from window cleaners (American Window Cleaners) to psychopaths (Murder Can Be Fun) to office supply fetishists (Flatter). Details Magazine came out with the article "Soap Box Samurai," by Jeremy Mindich, who appropriately claimed that "zines have become the weapon of choice for people who want to cut through the mediocrity of everyday life and give voice to their passions."

And those passions are reasons why Yuri and I continued the magazine through 11 issues and several years of existence. From local to national artists, strange perspectives and wild artwork, the zine was like a circus of chaos wrapped in every issue. I ran through the streets of Atlanta, we housed Total Chaos for three days after their van broke down — stepping over mohawks, spiked hair and wafting through a cloud of smelly armpits to get out the front door in the morning — I spent time in NOFX's tour bus, hung out in a stale conference room with a long-haired no name at the time who called himself Marilyn Manson. I sweated in more pits than I can remember. We saw some amazing bands and experiences we will never forget.

For the first time in over 10 years, below are the issues of Movements in PDF format.

Issue One

In this issue: Once Again, Bubba's Empty Butt Cavity, Echo Record Reviews, Poetry and Shit, and Mr. Pants Playpen.

Issue Two

In This Issue: Skin Chamber, Wankin' Basstereo, Judgement Day, Gutted Pulp, Skatenigs, Bubba's Empty Butt Cavity, Mr. Pants Playpen, Dead Before Dawn, Make Them Die Slowly, Echo Record Reviews, Live Review, and Poetry and Shit.

Issue Three Temporarily Unavailable

Issue Four

In This Issue: SNFU, Lance Mountain, Weeds Of Eden, Cross Fade, Mass Exhibit, Mr. Pants Playpen, Confessions Of A Pit Junkie, Record Girls' Record Bucket, Make Them Die Slowly, Dead Before Dawn, and Poetry 'n' Shit.

Issue Five Temporarily Unavailable

Issue Six Temporarily Unavailable

Issue Seven

In This Issue: Rancid, Offspring, Nine Inch Nails, Marily Manson, Pop Will Eat Itself, and Reviews.

Issue Eight

In This Issue: Total Chaos, Pop Will Eat Itself, The Land Of The Lost, The Cramps, Gas Huffer, and The Mighty Mighty Bosstones.

Issue Nine

Movements Issue Nine

In This Issue: Makin' The Atlanta Scene, Chokebore, Samiam, The Goops, and Reviews.

Issue Ten

Movements Issue Ten

In This Is Issue: November Grief, Tilt, Brutal Juice, Dave, The Joykiller, SNFU, Circle Jerks, and Record Reviews.

Issue Eleven

Movements Issue Eleven

In This Issue: Pop Smear, Blak, Strapping Young Lad, and Jackie Chan.

Tagged as: , ,

andrewduncan is a journalist who has migrated to the forces of academia. He has written for various publications including Chord, Heckler, Readyset...Aesthetic, and a a vast array of alternative press contributions. When not roaming the streets of Indianapolis, he is either addicted to KXCI, making music, or striving to watch every film listed on IMDB.
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FROM: The student newspaper of Victoria University in the University of Toronto

Canzine: a yearly literary dream

Betina Alonso

Issue date: 10/30/08 Section: Arts and Culture
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A massive one-day festival of art and culture in all media imaginable, Canzine is a yearly celebration of Canadian indie culture. Featured are zines, small publishing houses, graphic designers, and comic artists.

"Everyone's a writer these days: surgeons, bus drivers, meat packers, people with an actual story to tell, a beginning, an ending, a something," reads an excerpt of Thumbnail, a photo literary zine.

At Canzine, everyone and anyone is eligible to buy a table and showcase his or her work. Visitors are exposed to a postmodernist's wet dream, with publications ranging from published personal doodling books to home-printed Toronto Pizza Reviews. In addition to the fest of zines, this year's gathering also boasted the One-Two Punch Book, wherein writers were challenged to pitch their books to literary agents and editors in two minutes and got a one-minute response from each: either ripping the work apart or, occasionally, requesting a manuscript.

"It's an open process to break down myths of creativity, which is part of our agenda," says Hal Niedzviecki, a UofT grad and one of Canzine's founders.

Indeed, it provided for an interesting public display of the writer-publisher interaction, as one could witness an author of a four-volume, Frank Miller inspired, Hitchcockian graphic novel, spanning three decades, being told he needed more of focus. The sound, unfortunately, wasn't working too well, and the audience missed out on a lot of what was going on onstage.

Another attraction were the art rooms, featuring handpicked artists showcasing their work. Lisa Smolking, for example, filled hers with drawings in ink pen and watercolour featuring individual women reflecting their multi-layered, daily states of mind. "It's blurb art," says Smolking. The younger girls were interspersed with tongue-in-cheek statements, such as "My attachment issues are bigger than yours."

In the Artcade room, visitors could play mini video-games created by independent designers, with the idea of alternate, interactive artistic medium. "It's another way of showing the creative possibilities in a medium locked into the corporate protocol," says Nietzviecki. It featured interesting projects such as "Mondrion Provoken," a beautiful, glowing Atari-style maze.

With its variety and celebration of independent initiative, Canzine is the kind of event where you can find anything ranging from an independent poetry publication, containing hidden literary gems, to zines dedicated to individual rants. Overall, you get out of Canzine what you put into it, and it was definitely worth exploring during a Sunday afternoon.

 

Fw: THE MATTIE STORIES


 
 


The stories are honest and heartfelt. ... $3, 5 ½ x 8 ½, copied, 44 pgs.

 
 
 

Fw: Zine Review - Xerography Debt No 14


 
 

via Indy Media Reviews on 10/12/08

This was my first issue of Xerography Debt, and immediatly I was impressed. From the clear, candid writing of all of the reviewers to the fascinating colums and articles, this...

 
 

Friday, October 31, 2008

Fw: Cold Sweat Day Dreams


 
 

via Comics Village Reviews by Glenn Carter on 10/1/08

At one point, very evocative and honest. At others, weak. Still, it's worthwhile for that one high.

 
 

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