Growing Up In The Post or Raised By Mailartists

Growing Up In The Post or Raised By Mailartists

Mark Pawson

10.5cm x 7.5cm, 12 pages.

Stamped 31st Oct 2015

50p

Mark Pawson is an important figure in the UK zine world. A life long champion of DIY art and print, both a maker and distributor. One of Mark's early zines is an obsessive account of his love of Kinder eggs - where he bought them, how much they cost, and thorough reviews of the toys inside. More significantly perhaps, he kept the zine in print for 20 years, and sold around 10,000 copies. That's a lot of stapling. 

I picked up Growing Up In The Post from Mark at a small press fair in London a few weeks ago. At only 50p, Mark described it as being "part of his pocket money range" (amongst other makers selling their zines at inflated prices, making your work available for a handful of change is almost a provocation in itself). 

The zine describes how, at the age of 13, Mark found himself as part of the International Postal Art Network which at that time was "a tremendously energetic self-created forum for equal exchange  of work and ideas". As Mark goes on to explain this process of exchange and sharing informs the way he chooses to work now. 

Mark has a large and varied amount of work available from his website. Both his collaborative and solo work is here: http://www.mpawson.demon.co.uk/pawone.html 

His range of badges can be found here: http://www.mpawson.demon.co.uk/badges.html

And other people's books and zines can be seen, and bought, here: http://www.mpawson.demon.co.uk/books.html

While you are on Mark's website check out the events pages for some interesting DIY art and zine fairs in the UK. And if you bump into Mark at a fair, tell him we sent you.  


Review by Nathan Penlington

The Holocene Tragedy

The Holocene Tragedy

by JD Howse

Dead Elk publishing 

A5, 66 pages, cardboard covers. 

3rd edition, September 2016. Limited edition of 50.  

£2.50

The Holocene Tragedy is an utterly compelling account of the mass extinction of animal species created and accelerated by mankind. Within the last century at least one species has become extinct every year, that we know of. 

I think the internet is probably bad for me, & and bad for anyone with a mind as obsessive as mine
because the information acts in spirals & lines & if I followed every weird impulse my mind gives off down the rabbit hole I'd never get anything done

So begins the search for facts among the vast resource of misinformation called the internet. JD Howse grapples with what it means to be informed when you are not a specialist in a given field, how you can comprehend the vastness of something when reduced to a series of webpages, and when - not if - man will face its own extinction. 

Part poetry, part prose - it is a collection of short texts that is very much of our time. Definitely among the best zines I've read this year. Get your hands and mind on a copy before it is too late.

Visit http://www.jdhowse.com/holocene for more information about The Holocene Tragedy, contact information for JD Howse can be found here: http://www.jdhowse.com/about

Review by Nathan Penlington 

Things I Thought But Was Wrong

Things I Thought But Was Wrong - Issue 00
Quarter Duck Publications

A5, 24 pages, full colour.

£3

Things I Thought But Was Wrong is the perfect zine for the mid-teens of the 21st century. It consists of a crowd-sourced series of Twitter length statements, each illustrated by an Instagramable artwork. The concept is immediately explained by the title - those moments in which something you always thought was true is shown to be wrong. 

The combination of absurd mishearings and naive misunderstandings with the resulting illustrations makes for a smart, funny, engaging zine. 

I hope I'm not wrong, but I predict big things for Things I Thought But Was Wrong. 


Buy Issue 00 from Etsy: etsy.com/uk/listing/454573914/things-i-thought-but-was-wrong-zine

To submit your own failings join Things I Thought But Was Wrong on Facebook and Instagram @things_I_thought_but_was_wrong


Review by Nathan Penlington 

****I picked this zine up last weekend at Cultural Traffic - a new publishing arts fair held near London's Brick Lane. They produce regular alternative publishing events in the capital, with a really diverse range of makers and sellers. If you're interested check out culturaltraffic.com for more info****

Bio Auto Graphic #29 - C

Bio Auto Graphic #29: 'C'
Michael C. Nicholson / ensixteen editions

November 2016. A5, 20 pages, including cardboard cover. 

£4


Bio Auto Graphic #29 is a stream of consciousness constrained by the letter C. Through an accumulation of TV and film references, names of celebrities and friends, phrases and word association, the text forms a catalogue of a particular sensibility and a personal history. 

The words and names also reveal the political time and place of the zine's creation:

Cox,  J. (R.I.P)

Meanwhile surrounding a drawing of a Trump-a-like:

'Confederacy of dunces, A' -  Campaign - Charade - Circus - Capsize - Capitalism....- Culpability - Creep -...- Coward - Clown

Compared to previous issues C is word heavy. Where the companion issues A and B are visual meditations that use the letter as a jumping off point, this issue has more in common with experimental literature and artist books - think oulipo and Walter Abish -  than with narrative driven graphic work. Despite the volume of C words Michael still uses the page to explore the graphic elements of both language and design, space and movement.  

C proves that even after twenty-nine issues Bio Auto Graphic still has the ability to surprise and intrigue. If you are new to this zine the ABC series is a great place to begin, you'll be rewarded with something special.  

To get your copy visit the Ensixteen blog: ensixteeneditions.blogspot.com

Or email Michael directly: ladnicholson(at)yahoo(dot)co(dot)uk

Review by Nathan Penlington - You can find reviews of previous issues of Bio Auto Grapahic here. 

Minor Leagues #2 - Simon Moreton

Minor Leagues #2 – Simon Moreton

published by lydstep lettuce -  October 2016

A5, landscape, 88 pages, cardboard covers. 

£4 / or £18 for a four issue subscription

There are many things I love about my girlfriend, one of them is how much she loves December. She gets excited about New Year's Eve and Christmas of course, but she loves this time of year because it is when people publish their favourite books of the year lists. She LOVES those lists. 

Why am I telling you this? Well, back in April Minor Leagues #1 arrived on my doorstep, and it is definitely on my own list of the top 5 best things I've read this year. And now issue #2 has arrived it's going to nudge something else off that list (unless I can convince my girlfriend that two zines count as one entity).  

I don't want to repeat myself so check out the review of issue #1, and you'll know why I love Simon's work. Issue #2 continues in the same vein. What sets Minor League apart from a lot of zines is that it gives itself space and time (over 80 pages) to linger over fragments and details, an antidote to the textual rush of social media. 

Issue #1 dealt with death and loss, Minor Leagues #2 raises issues of grief and helplessness: grief after death, but also the grief of losing friendships and relationships. It also reflects the grief and despair most of the UK has felt this year. That all makes it sound like a heavy read - it is not. There is a gentle quality to Simon's work, a tenderness, and a reaching out that is hard to express in words. 

For me, I think part of the strength of Minor Leagues is that it also expresses the struggle inherent in making a zine - the difficulty in breaking the inertia that can so easily stop you creating anything, particularly in the current cultural climate. After what 2016 has achieved we need zines like Minor Leagues more than ever. 

Buy issue 2 of Minor Leagues here: http://smoo.bigcartel.com/product/minor-leagues-2

Or visit smoo.bigcartel.com for subscription options. 

Review by Nathan Penlington

Photos from BOUND

From MOCA Cleveland, (Museum Of Contemporary Art,) August 27, 2016
http://www.mocacleveland.org/BOUND2016-SAT

Swag

Rejected Hammer Thesis #3

Rejected Hammer Thesis #3

28 pages, digest, full color

$3 delivered

This is the brain child of Eric Myers, who does most, (probably all,) of the art. A number of people contribute to the story lines. It's much too imaginative to simply call it bizarre. Still, it is bizarre. A lot of thought and work went into this. Eric drawers in multiple styles, and the stories vary as well. So while everything in here is surreal, there is variety rather than repetition, and though disjointed it is cohesive.

As with most things in this vain you appreciation it the more you read it. He sent me three issues, so I was well into it by #3. I liked #2 the best, which you can also get on the site. #1 is $6 delivered, but it's a bit thicker.

Buy:

https://squareup.com/store/studioerbo

Eric's site

http://www.ericfmyers.com/

review by Jack Cheiky

List of 2016 Zine Fests & Events

https://docs.google.com/spreadsheets/d/1D16yp3jX5FgbRp18-uhsZzENtXR1vEzpR0uAQtP6AVg/edit#gid=0

compiled by the folks at

https://www.facebook.com/fanzines/

New Titles at the Cleveland Zine Library

I dropped off a Whole Foods bag filled with zines today. Included was Stu's complete 2015 collection of diary comix. I found a nice plastic envelope so they could all stay together.

Rising #66

Rising #66 (Summer 2016)

Edited by Tim Wells

A5, 24 pages. 

Free

Rising consistently puts its money where its mouth is (Yes, I know, it's a free zine. Free to you, means someone else, somewhere, is paying for your pleasure): a poetry zine with an emphasis on quality writing - poetry that doesn't submit to the usual elitist claims to the art form.

Once again the mix is part ranting old guard, part performance circuit, and part new voices - the thing that unites them being the attitude that comes from having a need to write, not just the desire to be a writer. 

This issue includes top work from Salena Godden, Porky the Poet (comedian Phill Jupitus' alter ego), Emily Harrison, Phoebe Stuckes, Fiona Curran, The Bro's Grim, Sophie Parkin, Melissa Lee-Houghton, Paul Birtill, Hannah Lowe, and Tim Turnbull. 

What are you waiting for tweet Tim here to haggle for a copy. Can I suggest bribes, favours, or a beer or two, are likely to be successful. Please tell him Nathan sent you.

Click here to visit Tim's Stand up & spit project which is dedicated to chronicling the history and influence of Ranting poetry. 

Review by Nathan Penlington

Astounding Explorer Nicobar - #1 to #4

Astounding Explorer Nicobar - issues #1 to #4
Yoshua Reece

$3 per issue

5.5" x 8.5" - 28 pages, b&w, landscape format. 

One of the joys of reviewing for Syndicated Zine Reviews is not knowing what will come through the letter box. A few days ago a large cardboard mailer landed with a thud, inside were the first four issues of the Astounding Explorer Nicobar. 

The zine is a delightful, unexpected, continuing storybook about a small frog and his friends aboard the Graceless Flounder as they adventure around the house. Frustrated by the boredom of revisiting the lounge and the kitchen, they set out beyond the edges of the known world. 

"We are either explorers, or we are not. If we can be contented with a boring life then we are not. But if we are explorers, then we will fight the tyranny of boredom!"

Exclaims the captain of the ship, in doing so taking his place among the great adventurers of history, who also bravely set out for places beyond the bathroom. 

Yoshua explains in a letter:

Nicobar was originally conceived as a way for me to stay in touch with my friends after moving out of state for college. Using characters modelled after toys in my aunt and uncle's house I wrote story books that told my friends how I was doing. After graduating college I continued to create Nicobar booklets out of a love for it. 

I'm quoting this because there is a real warmth to these zines - in the hand drawn illustrations, and in the play-like narrative - a genuineness that hooks you in. Think of Nicobar as a hybrid of Toy Story and Jules Verne, and you'll not be far off. 

Buy copies of individual issues over on Etsy: etsy.com/uk/shop/Sockswad

And visit Nicobar here: facebook.com/Nicobarthefrog



Review by Nathan Penlington

Moviejawn - June 2016

Moviejawn

Volume 2 - Issue 4 / June 2016

11cm x 14cm - 52 pages, black and white with colour centre pages

$5 (subscription for the rest of the year)

The movies are life. The zine is the engine. We are the future.

Moviejawn is a pocket sized celebration of the kind of films that should be celebrated - the ones that find you, rather than you finding them. The ones you found in the back of the old VHS rental shop, the ones that were passed around on a recording of a recording of a recording, the ones that are generally terrible in a Film sense - but have had a profound effect on you every time you've watched them. Those films.

The zine takes the form of short essays and reviews of films generally more old than new, discussing why those films are so great, and examining their impact on movie watchers. It is fun, informative, and irreverent. This issue focuses on sport in films: baseball, the true American sport, is discussed in a feature on The Sandlot; the influence of the 2000 dance film and "schmaltz-fest" Center Stage on Black Swan; fandom for Crispin Glover leads to an in-depth look at Like Mike, a kind of Cinderella for basketball; while remembering what it is like not to fit in results in a review of Whip It, a roller derby movie featuring Ellen Page.

I've been sent a small package of Moviejawn back issues - but I thought I'd start with the latest. Reviews of previous issues to follow soon. Contact Moviejawn to request specific issues as part of your order. 

Click here for subscription info.

Visit Moviejawn on the web: moviejawn.com




Review by Nathan Penlington